classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff

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Showing posts with label underground. Show all posts
Showing posts with label underground. Show all posts

Sunday, August 14, 2016

Stiletto...Licence to Rage...1978 album



Stiletto formed in early 1976 and quickly gained a reputation of being a strong feminist band. At that point, their line-up included singer/songwriter JANIE CONWAY on guitar and vocals and Marney Sheehan on bass. Shortly after Chris Worrall joined the band", Janie left. 

They first appeared on vinyl in July 1977 when they provided the B-side, 'Nights In Parlour', to Red Symon's single "Only A Flipside'. Later in the year, they gained prominence with the release of the Oz Records compilation album, Debutantes, to which they contributed three songs. Their first wholly Stiletto single, 'Bluebirds', written by Andrew, was followed in August '78 by their debut album, 'Licence to Rage' — unfortunately to become their only LP. Two tracks from the album, 'Goodbye Johnny' and 'Woman In A Man's World' were released as a single (Oz label) in the same month.

In November it was announced that one of their songs, 'Women In Trouble', was to be used on a film soundtrack (other tracks by the band had been used previously on movies). This news was accompanied by some not so good tidings — they were dropped by their record company, EMI. Regrettably, this seemed to precipitate their dissolution. Chris Worrall left to join Paul Kelly and the Dots. He was replaced by CHRIS DYSON (ex-High Rise Bombers) and briefly the band seemed to rejuvenate, and even appeared as special guests on Elvis Costello's Melbourne show; but early in 1979 the final decision to split was made.

Line-up: 
ANDREW BELL (guitar); 
JANE CLIFTON (vocals); 
CELESTE HOWDEN (bass, vocals); 
EDDIE VAN ROSENDAAL (drums, vocals); 
CHRIS WORRALL (guitar, vocals). 

(Chris had previously worked with Pelaco Bros, Captain Matchbox and Bleeding Hearts; Eddie, Jane and Andrew with Toads.)

"Half man, half woman! C'est Stiletto, one of Melbourne's few truly underground bands, burrowing upwards toward the light of wider recognition. Stiletto, whilst pretending to a certain cool, are closet flamboyant. Lots of colour and imagery, scrambled genders, and a sort of shivering toughness which has definite appeal. Constant revolving in the club 'n' pub circuit has polished this sharp little gem of a band until crikey they can really rock. There's been the odd line-up casualty, but always the replacements have been well selected, eventually beefing up the band." taken from...Pub Bands - An Ocassional Guide (Article by Jenny Brown, 'Bottom Line' Newspaper - March / April 1978, p12)









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Friday, May 1, 2015

Tully..underground/progressive rock..3 albums...self titled 1970, Loving is Hard 1972 and Live in Sydney



Tully formed in Sydney in late 1968, and along with Tamam Shud they were the doyens of the Sydney underground/progressive scene in the late 60's and early '70s. Their lyrical and expansive music and their interest in mysticism and esoteric philosophy was at some remove from the earthy blues/boogie ethos of contemporaries like The Aztecs, but they built up a strong following on the Sydney underground scene and the Melbourne concert circuit. Tully's members were all highly accomplished multi-instrumentalists, with years of experience behind them, and this musical breadth quickly earned them a reputation as one of the most adventurous and polished concert bands of the period.




They originally signed with EMI and their excellent self-titled debut LP was released on the Columbia label in July 1970; it charted well, spending eight weeks in the Top 40 and peaking at #8. Around this time Michael Carlos became the proud owner of one of the first Moog synthesisers to be brought into Australia, and they became the first local band to use one in live performance. Such was the public profile of Dr Bob's new instrument (thanks to The Beatles, the Beach Boys and Walter Carlos) that Tully's concerts were co-billed as "Tully and The Moog".

In 1971 Tully moved to EMI's new progressive label Harvest, and released their only single, the spiritually inspired Krishna Came / Lord Baba which came out in May. This was followed in June by their second LP Sea Of Joy, the soundtrack to the surf film of the same name by Paul Witzig, who had also previously worked with Tamam Shud. The band had stockpiled enough material prior to the split for EMI to compile a third and final LP which was released in 1972 as the album Loving Is Hard.






non album live TV program Tully and Wendy Saddington on Fusions 1969
(alternate link)

Colin Campbell (guitar) 1971-72 
Michael Carlos (keyboards)
Graham Conlan (bass) 1969
Richard Lockwood (flute/sax/clarinet/piano) 1968-72 
John Blake (bass) 1968-69
Ken Firth (bass) 1970-72
Shayna (Karlin) Stewart (vocals) 1971-72
Robert Taylor (drums) 1968-70




text courtesy of Milesago


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Thursday, August 14, 2014

Bakery...Rock Mass For Love and Momento...underground progressive rock from 1971-72



Bakery was formed in Perth at the start of 1970. Regarded as one of the leading "underground" groups of their day, they are remembered for their superb studio album Momento, the innovative Rock Mass for Love LP and the powerful single "No Dying In The Dark".

The original lineup was John Worrall, "wild-haired guitarist" Peter Walker (ex-Jelly Roll Bakers), Mal Logan (ex-The Rebels), Eddie McDonald and Hank Davis. McDonald and Davis were both ex-members of the NZ Avengers.

In the words of encyclopedist Vernon Joyson, Bakery's work: "... blended hard rock and country with jazz using complex arrangements. Their main strength was the variety of their music which could switch from gentle acoustic passages to booming heavy progressive assaults on the senses within the same song." 

Bakery released only two singles, but both were impressive heavy rock efforts. The first, released on the RCA label, was "Bloodsucker" / "Leave Scruffy Alone" (February 1971). By the time they released their second single in July 1971, Bakery had signed with the Melbourne-based Astor label, who issued "No Dying in the Dark'" / "Trust in the Lord".

Both singles displayed the band's main stylistic influences, primarily the new wave of "heavy" bands spearheaded by British groups Black Sabbath, Led Zeppelin and Deep Purple. "Bloodsucker" was in fact a Deep Purple cover, sourced from their In Rock LP. "No Dying in the Dark" was very successful in Perth, peaking at #9 on the local chart, and it's the track for which they are now best remembered.

The B-side of the single was a track from their Rock Mass For Love LP. This unusual project was a significant thematic departure from Bakery's usual progressive/hard rock style. Recorded live at a mass at St George's Cathedral, Perth on 21 March 1971, it was one of the first Australian musical musical works of its kind, preceding the first Australian production of Jesus Christ Superstar by almost a year.

Rock Mass for Love was issued in August 1971, narrowly missing the national Top 20, and it was also issued in the USA on the Decca label. After the LP came out, Mark Verschuer (ex-Barrelhouse) replaced Tom Davidson on vocals. Verschuer sang lead vocals on their fantastic second album, the studio LP Momento released a year later in August 1972. Ian McFarlane lauds it as "a fine example of European-influenced, heavy progressive rock" and Vernon Joyson reserves particular praise for the track "The Gift", written by Peter Walker, which he describes as "an eight-minute barrage of bombastic riffs, arse-kicking solos and swirling Hammond organ in the mould of acts like Deep Purple and Leaf Hound".

...text courtesy of Milesago





Thursday, October 31, 2013

Tully...Sea of Joy.. The Original Soundtrack 1972


Tully formed in Sydney in late 1968, and, along with Tamam Shud (with whom they often performed), they were the doyens of the Sydney underground/progressive scene in the late 60's and early '70s. Their lyrical and expansive music and their interest in mysticism and esoteric philosophy was at some remove from the earthy blues/boogie ethos of contemporaries like The Aztecs, but they built up a strong following on the Sydney underground scene and the Melbourne concert circuit. Tully's members were all highly accomplished multi-instrumentalists, with years of experience behind them, and this musical breadth quickly earned them a reputation as one of the most adventurous and polished concert bands of the period.

Tully :
Colin Campbell - guitar
Michael Carlos - keyboards
Richard Lockwood - flute, sax, clarinet, piano
Ken Firth - bass
Shayna (Karlin) Stewart - vocals

Tully released 3 albums in the 1970's:
  • Tully (July 1970)
  • Sea Of Joy (June 1971)
  • Loving is Hard (1972) 
An augmented version of Tully (billed as "Tully +4") provided instrumental backing for the "HAIR - Original Australian Cast Recording" in 1970. Tully vocalist Terry Wilson was a member of the original cast in 1969-70 and performs "Aquarius" on the soundtrack LP. 

Sea of Joy is the soundtrack to an Australian surfing documentary movie released in 1971.

01.Sea Of Joy (Part 1) 4:27
02.Pseudo-Tragic-Dramatic 1:12
03.Follow Me 3:50
04.Cat-Clarinet Mit Orgel 4:01
05.Trinidad 3:13
06.I Feel The Sun 5:40
07.Thank You 3:22
08. Syndrone 6:46
09.Softly, Softly 4:31
10.Brother Sun 3:16
11.Down To The Sea 3:38
12.Sea Of Joy (Part 2) 2:30