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Showing posts with label Country Blues. Show all posts
Showing posts with label Country Blues. Show all posts

Thursday, March 31, 2016

Matt Taylor...Straight As A Die...1973 album from Aussie blues legend



Matt Taylor was born in Brisbane, Queensland, in 1948. Taylor began listening to blues records in high school, and taught himself the guitar and harmonica. In February 1966 he joined the Bay City Union, one of Australia’s first electric blues bands. They moved to Melbourne in December 1966 and achieved some success playing in dance halls and clubs. They recorded a single "Mo’reen" and "Mary Mary" released on the Festival label in 1968. Among the other members of this band was Glenn Wheatley, who was also their manager.

The Bay City Union broke up in May 1968. Taylor joined the Wild Cherries in October 1968, but left the following month. During 1969 and 1970, he played with progressive heavy rock / blues bands Horse and Genesis (not the UK prog band of the same name).

From September 1970 to October 1971, Taylor was the front-man for the blues band Chain, which had a hit single ("Black and Blue") and album ("Toward the Blues") during this period. He then quit the music industry and went to live on a commune led by Fred and Mary Robinson at Beechworth.

In 1973 he returned to the music scene as a solo artist, releasing three albums over the next three years, and scoring a major hit with the single "I Remember When I Was Young". He was one of the first artists to record for Mushroom Records, and was managed by Michael Gudinski.

"Straight As A Die" was released in 1973 and features prominent Australian guitarist Phil Manning.









Monday, December 2, 2013

Cash Savage and The Last Drinks...The Hypnotiser...dark, country blues that cuts deep



Acclaimed jewel of dark country blues Cash Savage, and her band The Last Drinks, released their second LP The Hypnotiser on Friday 2 August. This stunning recording balances the soulful confessions of Cash’s compelling tales with evocative strings, triumphant horns, a 45-voice choir and the band leader’s impassioned cries of love, loss and despair.

The suite of songs on The Hypnotiser is at once beautiful, rugged, reckless, despairing, gentle, desperate, loving and raw. The cohesiveness of the words and music is a more collaborative effort than on the band’s debut album, Wolf [2011]. Having spent the gulf between albums on the road — in country theatres, urban venues, the Famous Speigeltent, Meredith Music Festival, Port Fairy Folk Festival and the willow-shrouded Riverboats Music Festival alongside Pete Murray, Clare Bowditch and James Reyne — the once fluid Last Drinks lineup has solidified. Together this group of musicians has created a work that alludes to an undercurrent of drunken kinship polished with hard yards, while still retaining the soul for which Cash is known.

Engineered by Melbourne-based Japanese-born Nao Anzai and produced by Nick Finch from Graveyard Train, Cash commenced recording with none of the preconceptions that framed Wolf. The result is a searingly honest, powerful release of uncompromising heartbreak and unbound love that becomes more alive and personal with each listen.

listen to the album here: https://soundcloud.com/savage-drinks/sets/the-hypnotiser/s-hV8uP
see also: http://cashsavage.com.au/