classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff

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Showing posts with label Synth-Pop. Show all posts
Showing posts with label Synth-Pop. Show all posts

Monday, April 2, 2018

Melbourne electronic chill trio, Fake Sibling, release their second single ‘Despondent’


Electronic chill trio, Fake Sibling, recently release their second single ‘Despondent’. The song is about the slow degradation of a relationship and the struggle to find a connection with your partner. 

Even though the lyrics came from a place of vulnerability, Sophie Officer’s captivating vocals, the dreamy guitar riffs and blissful transitions draw you in and leave you feeling soothed and peaceful.

Sophie reflects: “My favourite line is 'writing letters to you in my head' because that’s how you can express yourself when you’re hurt. But when you say it out loud, you realise how self-centred and ridiculous those thoughts and words are. Writing this song was an emotional release for me and helped me gain perspective.”

Melbourne-based Fake Sibling comprises Sophie Officer, Adam Beath and Dave Gillan. Fake Sibling’s first single, "Bring Me Here", reached number 1 on the triple j Unearthed charts in February 2017, and received glowing reviews and play on community radio stations across Australia. The trio plans to release their eagerly-awaited debut EP in early 2018. 




About Fake Sibling
Fake Sibling’s music can be described as ‘dream pop’ or ‘electronic chill’, with influences from the likes of Pink Floyd and Fleetwood Mac through to Bonobo and Portishead.

Effortlessly shot through with glimmers of guitar melodies, the bright light of Sophie Officer’s celestial vocals dance among precise production to earn Fake Sibling comparisons to The xx, Bonobo and London Grammar.

official website: https://www.fakesibling.com/




UPCOMING SHOWS
Bar Open (upstairs)
Supported by 'Benigar' & 'Connor Black-Harry
‘Fake Sibling’ will be taking to the stage again at Bar Open on Thursday, 5th April. Bringing their hypnotic and enveloping electronic sounds to life with a full band. They’ve been hard at work honing their sound and with a couple of new amazing tracks to showcase they are definitely going to impress. Joining them on the night will be the haunting and bluesy ‘Benigar’ and the incredibly talented guitarist and vocalist ‘Connor Black-Harry’.
Thursday 5th April - $5 at the door - Music starts at 9pm
317 Brunswick St Fitzroy, Vic 3065.


The Evelyn - Birthday Bash
Supported by 'Less Fox More Whale' & 'Atticus Street'
Arvo Session - Sunday, 29th April.
351 Brunswick St, Fitzroy VIC 3065.

Sunday, January 14, 2018

Groom Epoch, former members of The Church, Died Pretty and The Go-Betweens, release new single "Cosmic Artifice"



Groom Epoch, a luminous outfit created by former drummer of The Church, Richard Ploog, are set to release their new album, Solar Warden, through Golden Robot Records in April 2018, with Cosmic Artifice, the lead single from the eclectic group.

Stream Groom Epoch’s Cosmic Artifice here:
http://smarturl.it/GE-CosmicArtifice

Remaining under the radar doing select shows around the place, Groom Epoch have done a full about face to expose themselves to a greater global audience.  Showcasing the diverse talents of singer, songwriter, drummer and producer, Richard Ploog, and backed by the awesome talents of some of Australia’s most iconic musicians, including former members of The Go-Betweens, Died Pretty and Lime Spiders (Amanda Brown on violin and auto-harp, Brett Myers on lead guitar, John Hoey on keyboards, Phil Hall on bass, and Ash Wanders on rhythm guitar), Groom Epoch is an all-star cast of musical iconoclasts combining their talents and creating a super stellar sound.

FOLLOW GROOM EPOCH
Facebook | Spotify


Thursday, June 29, 2017

Sydney-based artist Dead Language unveils captivating debut EP "Like Heart"..electro-pop grooves



“The song is a wildly infectious, upbeat groover of a track that actually deals with deceptively serious lyrical themes.” THE MUSIC (AUS)

“It's bold and brave and the arrangements are great.” Dom Alessio - triple j (AUS)

Featured by Rolling Stone Australia

After releasing a collection of critically praised singles, Sydney-based electro-pop artist, Dead Language aka Dominic Price, is excited to unveil his impressive debut EP ‘Like Heart’ – recorded at Coogee’s Yap Yap Studios.

CLICK TO STREAM 'LIKE HEART' and Watch the Video HERE

‘Like Heart’ sees Price explore new creative realms, by combining 80’s-esque synths likened to A-ha and Dare with snappy instrumentals and crisp production likened to E^ST and Patrick Wolf and a hint of 90’s electronica.  



Price describes the inspiration behind the EP – “All the songs found here were written while I was living in a share house in Leichhardt, Sydney. I wanted to immortalise that part of my life and pay tribute to the suburb that had yielded so much musical fodder for me, hence the homophonous ‘Like Heart’. It was in that house that I had first fallen in love, that I had went to recover, and yet that I had also met my darkest demons. The EP is a patchwork. It’s my (therapeutic) attempt to make something beautiful and whole from the pieces left of a fractured period in my life, like an old hand-sewn quilt. It’s my attempt to capture the extremities, the mundanities, the everything-in-betweens of being in your early twenties.”

Since Dead Language’s inception in 2014, Price has consistently released critically adored singles, which have been strongly supported by the likes of Rolling Stone Australia, Pilerats, Happy, triple j Unearthed, FBi and the hype machine blog community.

FOLLOW DEAD LANGUAGE

Sunday, June 25, 2017

Steve Kilbey and Martin Kennedy release 5th album, Glow and Fade



Glow and Fade is album number 5 from Steve Kilbey and Martin Kennedy, celebrating a decade of collaboration.  The 8 track musical trip released through Golden Robot Records is available now on CD and digital release, with the vinyl edition for collectors to follow in late July, exclusive to the SFR Store.

“The songs are about wide-eyed naivete and crushing cynicism, nature of time, time of nature, the struggle and the defeat, love in all its old disguises. It really is quite a journey.” – Steve Kilbey

“Musically, it is the ultimate convergence of all my music projects and influences from my childhood love of Pink Floyd to the atmospheric landscapes of my All India Radio project and the dream rock of our Kilbey Kennedy output. It all comes together on Glow and Fade.” – Martin Kennedy

The album features artwork by the legendary, Bruce Pennington, famous for his evocative artwork for Frank Herbert’s Dune books in the 1960,s.  Together with the music, it brings back memories of classic concept albums of the past. 




The latest masterpiece from Kilbey Kennedy includes the spacey, dream rock of the title track, Glow and Fade, which immediately transports the listener to another world with Kilbey’s melancholic optimism reminding all of our earthly, human limitations.  The Game Never Changes is a sixteen minute prog-rock inspired epic, going through some of Kilbey’s darkest ever lyrics and ending with a soaring solo of Pink Floyd proportions. With echoes of David Bowie and Roger Waters then comes They Know, with its oblique lyrics inter-weaved with lush acoustic guitar, strings and trumpet. 

The fourth track on the album, We Are Still Waiting, is the first single to be lifted from the album.  It’s driving synth laden dream pop with everything that was good about the 80’s and showcases Kilbey’s lyrical mastery in a beautiful duet with Melbourne vocalist, Selena Cross.  Cross also joins Kilbey for The Law of the Jungle, a real-life break-up being the catalyst for this heart achingly raw song.  Levitate and The Story of Jonah, continue the brilliance, with slow beats, dark synth, and prog-rock overtones.  Completing the magic is One Is All, a play on All Is One from Kilbey Kennedy’s first album together, providing a fitting bookend to the ten years of collaboration and an uplifting conclusion to Glow and Fade.

The official music video for We Are Still Waiting is a visually striking video by Polish experimental filmmaker Lukasz Pytlik and the mesmerising accompaniment to Steve Kilbey and Martin Kennedy's Simple Minds-esque track.  Check it out here: View We Are Still Waiting by Kilbey Kennedy on YouTube



SFR Store (signed CD, fan bundles & vinyl, with bonus tracks) | bit.ly/KK-GF-SFRStore
iTunes (with bonus track) | http://bit.ly/KK-GF-Digital
JB Hi-Fi | http://bit.ly/KK-GF-JB
Sanity | http://bit.ly/KK-GF-Sanity


About Steve Kilbey
Steve Kilbey…singer, songwriter, bassist, painter, writer, poet, actor, sage, and dispenser of arcane wisdom, is one of Australia’s most loved artists.

Steve got his first bass guitar at age 16, joined a “cabaret” band at 18, formed a couple of bands “Precious Little” who morphed into “Baby Grande” (Peter Koppes was in both these groups too), and in 1980, formed The Church and has released 14 solo music albums since.

The popular song Under the Milky Way won the "Best Single of the Year" award at the Australian Recording Industry Association (ARIA) awards event in 1989. For his work with The Church, Kilbey then accepted, together with his band mates, an induction into the ARIA Hall of Fame.

About Martin Kennedy
The music of Martin Kennedy aka ARIA nominated soundscapers, All India Radio, has featured in CSI: Miami, One Tree Hill, The Lying Game, the UK’s long running Emmerdale, Julia Zemiro's Home Delivery, Bondi Rescue, sci-fi feature film The Rare Earth and many more.

Martin and All India Radio have released ten acclaimed albums since 1999 and have worked with Steve Kilbey, Ed Kuepper and David Bridie.  A Science Fiction fan ever since his mother took him to see 2001: A Space Odyssey in 1976, multi-instrumentalist/All India Radio mastermind, Martin Kennedy has been exploring his fascination with outer space, not least through the cinematic ambient soundscapes of his long-standing, prolific band and its evocative song titles, but also his use of science fiction themed album artwork.


FOLLOW KILBEY KENNEDY
Website | Facebook | Insta | Twitter | YouTube



Tuesday, April 4, 2017

BAD FRENCH - NEW SINGLE ‘ALL YOUR DAYS ARE HERE WHERE YOU ARE NOW’



Following on from releasing their standout singles ‘Finley’s Downfall’, ‘Erroll’s Forest’ and ‘Within You’, Central Coast-based dance-pop duo, Bad French, have just returned by revealing their brand-new cut ‘All Your Days Are Here Where You Are Now’.

Stream the track on SOUNDCLOUD Here

Recorded and produced by the band themselves between their Sydney and Central Coast home studios, ‘All Your Days Are Here Where You Are Now’ is another intriguing slice of 80’s inspired electro-pop glimmering with moments of psychedelia and reminiscent to some of the group’s staple influences Tame Impala, AIR and Icehouse.

Song-writer / multi-instrumentalist, M. Carney describes the creative and recording process for ‘All Your Days Are Here Where You Are Now’:-

“Dan kicked off the musical idea one lazy afternoon in his studio at MacMasters Beach on an acoustic guitar with a chilled-out drum beat. I "Bad Frenchified" it with some stabby synths and found a drony pulsing bass sound to sit underneath. The chorus was at first an offbeat melodic idea, but Dan matched his words to it, and it became quite an unusual musical mantra that has grown on us over time. We then decided go to Jupiter and back with the instrumental!”




Their previous singles have received support from local online press, community radio and triple j Unearthed. The group have also performed shows supporting the likes of I Know Leopard, Polish Club, Boo Seeka and have even held their own gigs on front man Daniel Forsyth’s front lawn.

Over the coming months the band will continue to work on new material and perform around Sydney and the NSW Central Coast.

‘All Your Days Are Here Where You Are Now’ is now available to stream via Soundcloud and available via Spotify, Apple Music and all other good digital retailers.

Official websitehttp://badfrench.com.au/

Sunday, February 19, 2017

Icehouse...first 2 albums...Flowers (1980) and Primitive Man (1982)


    
Icehouse formed as Flowers in Sydney in 1977. Initially known in Australia for their pub rock style, they later achieved mainstream success playing new wave and synth-pop music and attained Top 10 singles chart success in both Europe and the U.S. The mainstay of both Flowers and Icehouse has been Iva Davies (singer-songwriter, record producer, guitar, bass, keyboards, oboe) supplying additional musicians as required. The name Icehouse, which was adopted in 1981, comes from an old, cold flat Davies lived in and the strange building across the road populated by itinerant people.

Davies and Icehouse extended the use of synthesizers particularly the Sequential Circuits Prophet-5 ("Love in Motion", 1981), Linn drum machine ("Hey Little Girl", 1982) and Fairlight CMI (Razorback trailer, 1983) in Australian popular music. Their best known singles on the Australian charts were "Great Southern Land", "Hey Little Girl", "Crazy", "Electric Blue" and "My Obsession"; with Top Three albums being Icehouse (1980, as Flowers), Primitive Man (1982) and Man of Colours (1987).





                                                   


Icehouse was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006. ARIA described Icehouse as "one of the most successful Australian bands of the eighties and nineties...with an uncompromising approach to music production they created songs that ranged from pure pop escapism to edgy, lavish synthesized pieces...". Icehouse has produced eight Top Ten albums and twenty Top Forty singles in Australia, multiple top ten hits in Europe and North America and album sales of over 28 times Platinum in Australasia alone. As of 2006, Man of Colours was still the highest-selling album in Australia by an Australian band.