classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff



Monday, April 24, 2017

SA blues trio Lazy Eye new release "Pocket The Black"..soul drenched blues

Soul drenched blues. Think B.B. King sharing a scotch with Booker T at the crossroads after midnight. 

Lazy Eye kicked off 2016 off with a whirlwind trip across the South Pacific to the land where the Blues began. Upon reaching the quarter finals, the Hammond Organ Trio became the inaugural band to represent South Australia at the International Blues Challenge in Memphis, Tennessee. Following the competition, the band played one show only at the legendary B.B. King’s Blues Club on Beale Street, a highlight of the trip, before heading home thoroughly grounded in the blues.

Having clocked up a multitude of miles in their tour van, the 2015 Group Of The Year (Australian Blues Music Awards) has not only developed a reputation as one of the hardest working bands in their home country but has also picked up a swag of accolades along the way including Best Blues Album for their debut release Move Me (2013 SA Blues & Roots), Best Blues Artist (2014 South Australian Music Awards) and nominations for Song Of The Year (Hole In My Pocket, 2015 Australian Blues Music Awards) and Most Popular Blues/Roots Artist (2016 South Australian Music Awards). 

On release, their brand new offering Pocket The Black has been judged the 2016 Blues Album Of The Year (Adelaide Roots & Blues Association) and has been nominated for Album Of The Year at the 2017 Australian Blues Music Awards.

Marty's reviewPocket the Black is Lazy Eye in a live studio setting that captures the true essence of their rootsy blues with soul and delivers it in a straight forward and down to earth way. Keeping the production to as close to their live show as they can, with minimal overdubs and being able to do extra takes, the album is a collection of all original soul-blues numbers with punch and vigor that showcases the professional talents of each member. 

Stream and download the album HERE:

Official website:


“Pocket the black is an album firmly planted in the past, present and future of the blues, a brilliant
collusion of old and new” Made In The Shade

“It’s easy to see why Lazy Eye have been getting the plaudits they easily deserve. It’s the blues done well with soul and passion.” Music SA 

“Whetter’s vocals are gritty with a velvety smack of soul” Sydney Morning Herald 

“It’s a pleasure to see a weather-beaten Hammond fronting a band and even more so when it’s wielded with style. Such is the case with Adelaide blues outfit Lazy Eye” The Australian 

“The universal recognition is testament to the hard work and drive the three piece have applied since their formation just three years ago. Their throwback blend of electric blues and old school rock ‘n’ roll has earnt them festival spots all over the country”  Rip It Up

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Monday, April 17, 2017

Dappled Cities Announce Album Launch As Part Of Vivid Sydney 2017

After returning with their critically praised new single ‘Stone Men’ and announcing their fifth studio album ‘Five’ (stylised as |||||), Sydney’s statesmen of indie-rock, Dappled Cities, have just revealed news that their Sydney album launch will be taking place at City Recital Hall on Sunday June 4, as part of Vivid Sydney’s official program.


Combining their trademark layered soundscape with an immersive lighting spectacle, the event also titled ||||| will see the band re-imagining music from their highly acclaimed career and showcasing material from their stunning new record.

In collaboration with Sydney-based Studio Days and featuring works from Californian artist Paul Juno, the one-off concert event will feature imagery taken from the band’s rich visual history, accompanying the characteristic ethereal melodies and textures that have made Dappled Cities one of the most beloved indie bands to emerge from Sydney over the past two decades.

‘Stone Men’ has quickly climbed into the Top 20 Hype Machine Now charts and picked up early airplay from both triple j and double j. The accompanying video has also been well received garnering support via MTV and ABC’s Rage.

In the coming weeks, Dappled Cities will unveil some very special guests who will join them for all three East Coast capital shows, including the City Recital Hall event, Howler in Melbourne on Saturday May 6 and The Foundry in Brisbane on Friday May 12.

Vivid Sydney is the world’s largest festival of light, music and ideas. Now in its ninth year, the event is owned, managed and produced by Destination NSW, the NSW Government’s tourism and major events agency.

‘Five’ is out through Chugg Music / MGM on May 5 2017


Tickets on-sale now at
With Special Guests
With Special Guests
With Special Guests

“’Stone Men’ is a fantastic return from the Sydney act whose new album has quickly sprung to the top of my most anticipated releases of the year.”
Indie Shuffle (USA)
“Dappled Cities’ always-adventurous modus operandi, even after over a decade, remains excitedly enthralling, regardless of terrain.”
Rolling Stone Australia

Monday, April 10, 2017

Solomon O - Hypnotic Debut Single "Holograms" with amazing video

Since picking up a guitar at an early-age, Brisbane-based musician, Solomon O has formed a deep and insatiable love for writing and performing music. Fast track to the present and that endearment remains undeniably strong as he launches his new stunning debut track ‘Holograms’.


‘Holograms’ was a complete DIY recording effort by Solomon O and friend / session drummer, Brandon Gillies, and tracked between his Brisbane home studio and on the NSW Central Coast at The Grove. The mesmerizing indie-pop cut glides along effortlessly, driven by its luscious and full sounding rhythm section, beautifully composed synths and capped off by Solomon O’s dream-laden and soothing croons.    

Growing up, Solomon O learned classical guitar and piano and later found himself joining a gospel band, which taught the musician the fundamental elements of arranging and composing songs. After a brush with a drug-fueled party lifestyle, the song-smith did a complete 180 turn by undertaking and completing a psychology degree.

Following on from university, Solomon O decided to pack up his life and move to London. After what he describes an ‘early-life crisis’, he moved back to Australia, choosing Sydney as his new home where he started working on ‘Holograms’ and a collection of other songs he plans on releasing soon.

These days the enigmatic creative finds himself back in his hometown of Brisbane and slightly more settled; indulging in spending most of his pay check on new instruments and recording equipment.


“An inviting and intelligent inaugural effort, layered with atmospheric instrumentation, danceable beats and hushed, honeyed vocals aplenty. If this is what he's capable of off the bat, we're pretty excited to see what he offers up in future releases.”
The Music (AUS)
“An uplifting mid-tempo electro-pop ballad with a driving dancefloor beat and dizzying array of synth effects.”
Music Feeds (AUS)
“Yeah there's something in here, for sure. It's got a steadily beating pop heart.”
Dave Ruby Howe – triple j (AUS)

Slow down music with Riffmaster Pro! Instantly slow down music without changing the pitch

Tuesday, April 4, 2017


Following on from releasing their standout singles ‘Finley’s Downfall’, ‘Erroll’s Forest’ and ‘Within You’, Central Coast-based dance-pop duo, Bad French, have just returned by revealing their brand-new cut ‘All Your Days Are Here Where You Are Now’.

Stream the track on SOUNDCLOUD Here

Recorded and produced by the band themselves between their Sydney and Central Coast home studios, ‘All Your Days Are Here Where You Are Now’ is another intriguing slice of 80’s inspired electro-pop glimmering with moments of psychedelia and reminiscent to some of the group’s staple influences Tame Impala, AIR and Icehouse.

Song-writer / multi-instrumentalist, M. Carney describes the creative and recording process for ‘All Your Days Are Here Where You Are Now’:-

“Dan kicked off the musical idea one lazy afternoon in his studio at MacMasters Beach on an acoustic guitar with a chilled-out drum beat. I "Bad Frenchified" it with some stabby synths and found a drony pulsing bass sound to sit underneath. The chorus was at first an offbeat melodic idea, but Dan matched his words to it, and it became quite an unusual musical mantra that has grown on us over time. We then decided go to Jupiter and back with the instrumental!”

Their previous singles have received support from local online press, community radio and triple j Unearthed. The group have also performed shows supporting the likes of I Know Leopard, Polish Club, Boo Seeka and have even held their own gigs on front man Daniel Forsyth’s front lawn.

Over the coming months the band will continue to work on new material and perform around Sydney and the NSW Central Coast.

‘All Your Days Are Here Where You Are Now’ is now available to stream via Soundcloud and available via Spotify, Apple Music and all other good digital retailers.

Official website

Monday, April 3, 2017

Download links and future content on blog

I recently received a request to remove some download links from this blog for copyright reasons. I wish to respect the artists and their music and have removed these accordingly and will be removing and replacing others in the weeks to come. For future posts I will include links where the music is either available for streaming or for purchase via download and other media.

Going forward on the blog I wish to feature more contemporary Australian artists as I believe there is plenty of great talent out there that need to be promoted for all the hard work they put in.

Thanks for your understanding and supporting the blog by visiting here regularly...Marty

Friday, March 31, 2017

Award Winning Singer/Songwriter SNEZ Upcoming Tour of VIC and NSW

Regal Records is pleased to announce the release of "House on Four Wheels," the highly anticipated third album by multi award winning singer/songwriter, Snez.

This enchanting songstress has a forte for describing the experiences of everyday life in a way that resonates with her audience. Coming from a Macedonian working-class family, where stories about hardship, romance, black magic, mysticism and work ethic have been passed down through generations, Snez subtly weaves these influences into her own stories and songs, and in the process creating a powerful, personal and intimate performance on stage and in the studio.

Snez has been touring Australia wide for the last 8 years, sharing the stage with artists including Renee Geyer, Jenny Morris, Gangajang, Mahalia Barnes. A multi-award winning artist, including a finalist in the top 10 of the Australia Songwriting Awards. Her single ‘Green’ appeared in the Triple J top 10 pop charts for a number of weeks. 

In 2009, SNEZ released her debut album ‘Gypsy Soul’, and there began her journey as a travelling storyteller. Based in the Blue Mountains, west of Sydney, with guitar in hand, SNEZ spent the next 7 years roaming remote and regional Australia, finding a willing audience around campfires, at cattle stations, on the side of highways and along pavements, at nursing homes, refugee camps, cafes, pubs, living rooms and indigenous communities; squeezing her world into a campervan, her ‘House on Four Wheels’, for months at a time.

“I started writing ‘House on Four Wheels’ whilst on tour in the remote areas of the Northern Territory. The red dirt, the interesting characters and open roads are so inspiring and allow space for writing songs,” Snez comments. SNEZ delivers pop/folk music with an equal slice of depth and quirkiness. Her lyrics are inventive and fresh.

Recorded in the beautiful Blue Mountains, ‘House on Four Wheels’ is chock full of rootsy riffs and superb lyrics; makes you want to get out on the road yourself! Snez commences her Australian Solo Tour April 2017.

Thurs 6 April – Open House Concert, Sydney NSW
Fri 7 April – Open House Concert, Cambewarra NSW
Sat 8 April – Yately House, Braidwood NSW
Sun 9 April – YassArts @ Oddfellows Hall, Yass NSW
Fri 14 April – Avoca Art and Gardens, Avoca Railway Station, VIC
Sat 15 April – Open Studio, Northcote VIC
Mon 17 April – Paynesville Wine Bar, Paynesville VIC
Thurs 20 April – Writers Block @ Lomonds, Brunswick East VIC
Sat 22 April – Red Tent Womens Gathering, Braidwood NSW
Sun 23 April – Open House Concert, Nowra NSW
Sun 30 April – Little Blowhole Art Bar, Kiama NSW
Fri 5 May – Marrickville Ritz Hotel, Marrickville NSW 

Visit for all tour dates.

Tuesday, March 28, 2017

Indie Rock quartet WHARVES new single release "Man You Want Me To Be"

Lennox Head-based indie-rock quartet, WHARVES, have just revealed an East Coast tour and their brand new single titled ‘Man You Want Me To Be’ – recorded and produced by Steven Schram (San Cisco, Tiny Little Houses) at Studio Circuit, Gold Coast QLD.

The hauntingly enchanting new cut ‘Man You Want Me To Be’ is reminiscent to some of the group’s staple influences Foals, The Strokes and City Calm Down, featuring driving disco-esque beats, thumping fuzz-laden bass and classic Brit-pop guitar tones, all capped off by the brooding and infectious vocal melodies of front man, Matthew Collins.

Likened to that of a Shakespeare classic, the track is inspired by the tale of a tragic and forbidden love. Collins further expands on the meaning and describes the creative process behind the writing and recording:

“I wanted to indulge the male ego in how it can be so destructive and jealous, in some way trying to understand it. We captured the jagged and dark sounds/feelings in the studio but also kept it within a neat pop structure.”

Stream the track on Soundcloud HERE

Since their 2015 inception, the band have continually released critically adored songs, with strong support from the likes of triple j Unearthed, community radio and worldwide taste-maker blogs. In the live arena, WHARVES have performed at the 2016 Byron Bay leg of Falls Festival and supported some of the countries most loved indie acts including Polish Club, Morning Harvey and The Delta Riggs.

To coincide with the release of ‘Man You Want Me To Be’, the upstarts will traverse the East Coast on an eight-date tour, with performances scheduled in Lismore, Melbourne, Byron Bay, Yamba, Wollongong, Canberra, Sydney and Brisbane.

w/ Rolling Blackouts Coastal Fever

Sunday, March 26, 2017

Dave Graney and The Coral Snakes...The Baddest

David John "Dave" Graney is a musician, singer-songwriter and author from Melbourne. Since 1978, Graney has been accompanied by drummer, Clare Moore. The pair have fronted numerous bands including The Moodists (1980 to 1987), Dave Graney and The White Buffaloes (1989 to 1990), Dave Graney and Coral Snakes (1987 to 1989, 1991 to 1997), The Dave Graney Show (1998 to 2003) , Dave Graney and Clare Moore featuring the Lurid Yellow Mist or Dave Graney and the Lurid Yellow Mist (2004 to 2011). He was awarded 'Best Male Vocalist' at the ARIA Music Awards of 1996 for his work on The Soft 'n' Sexy Sound, while "Feelin' Kinda Sporty" won 'Best Video' in 1997 and he has received seven other ARIA Award nominations. 

Graney and Moore formed Dave Graney and the Coral Snakes in late 1987 and played in London pubs and clubs. Other members were, Gordy Blair on bass guitar, Malcolm Ross (ex-Orange Juice, The Moodists) on guitar and Louis Vause on piano and keyboards. In 1988, with Barry Adamson (former member of Magazine, Nick Cave and the Bad Seeds) producing, they recorded enough material for an extended play, At His Stone Beach released in September on the Fire label. Graney had adopted a cowboy image, wearing snake skin and brown suede, sporting a curled moustache and waxed goatee. The band released My Life on the Plains in 1989 with Phil Vinall producing.

During June 1990, Graney, Hayward and Moore travelled to London and recorded I Was the Hunter... and I Was the Prey with Blair on bass guitar, Ross on guitar, and Vause on piano. The album was produced by Vinall at a Croydon home studio run by former Procol Harum organist Matthew Fisher. For their April 1993 album, Night of the Wolverine, the band signed with PolyGram, Andrew Picouleau (ex-Sacred Cowboys) provided the bass guitar and Cohen co-produced. Graney adopted a new persona, "The Golden Wolverine", with the album described as "a certified Australian rock classic". It captured Graney at the peak of his songwriting powers "... [tracks were] full of elegant and eccentric detail". The band's next album, You Wanna Be There But You Don't Wanna Travel, which peaked at No. 10 on the ARIA Album Charts, was released in June 1994.

The group's July 1995 album, The Soft 'n' Sexy Sound, was produced by Victor Van Vugt. It reached the Top 40 and earned Graney the 'Best Male Artist' accolade at the ARIA Music Awards of 1996. In his acceptance speech, Graney wore a hot pink, crushed velvet suit and a wig to declare himself (under his breath) 'King of Pop'. The next album, The Devil Drives, (May 1997), reached the Top 20. It was recorded in Melbourne and mixed in London at Maison Rouge studios and co-produced by Graney, Moore and David Ruffy. It spawned the single, "Feelin' Kinda Sporty".

They released this compilation, The Baddest, in September 1999. It includes an unreleased version of "The Sheriff of Hell" from The Devil Drives which was re-recorded and remixed with Andrew Duffield (ex-Models) on keyboards, Phil Kenihan and Billy Miller (The Ferrets) on guitar and vocals. It also features an unreleased cover version of the AC/DC song "Show Business". 



Friday, March 10, 2017

Hunters & Collectors first 2 albums H&C (1981) and Fireman's Curse (1983)

Hunters & Collectors formed in 1981. Fronted by founding mainstay, singer-songwriter and guitarist Mark Seymour, they developed a blend of pub rock and art-funk. Other mainstays are John Archer on bass guitar, Doug Falconer on drums and percussion. Soon after forming they were joined by Jack Howard on trumpet and keyboards, Jeremy Smith on French horn, guitars and keyboards, and Michael Waters on trombone and keyboards. Also acknowledged as a founder was engineer and art designer Robert Miles. Joining in 1988, Barry Palmer, on lead guitar, remained until they disbanded in 1998. The group reformed in 2013 with the 1998 line-up.

Originally, Hunters & Collectors were influenced by Krautrock and productions of Conny Plank, featuring strong percussive influences, noisy guitar, and driving bass lines. Their sound was in the vein of the Talking Heads album, Remain in Light (1980). Hunters & Collectors utilised Plank to produce two of their early albums, The Fireman's Curse (1983) and The Jaws of Life (1984), but neither charted into the Top 50 of the Australian Kent Music Report Albums Chart. 

Their first Top 10 album, Human Frailty (1986), also featured their logo, a H & C symbol, where the "&" consists of twin snakes entwined around a hunting knife, a variation of a caduceus. Later Top 10 studio albums were Ghost Nation (1989), Cut (1992), and Demon Flower (1994). Their hit singles were "Talking to a Stranger" (1982), "Throw Your Arms Around Me" (1984), "Say Goodbye" (1986), "When the River Runs Dry" (1989), "True Tears of Joy" (1992), and "Holy Grail" (1993). They became one of the best live acts in Australia and according to musicologist, Ian McFarlane, their "great achievement was to lay bare human emotions in the intensely ritualistic milieu of the pub-rock gig".


Sunday, February 19, 2017

Icehouse...first 2 albums...Flowers (1980) and Primitive Man (1982)

Icehouse formed as Flowers in Sydney in 1977. Initially known in Australia for their pub rock style, they later achieved mainstream success playing new wave and synth-pop music and attained Top 10 singles chart success in both Europe and the U.S. The mainstay of both Flowers and Icehouse has been Iva Davies (singer-songwriter, record producer, guitar, bass, keyboards, oboe) supplying additional musicians as required. The name Icehouse, which was adopted in 1981, comes from an old, cold flat Davies lived in and the strange building across the road populated by itinerant people.

Davies and Icehouse extended the use of synthesizers particularly the Sequential Circuits Prophet-5 ("Love in Motion", 1981), Linn drum machine ("Hey Little Girl", 1982) and Fairlight CMI (Razorback trailer, 1983) in Australian popular music. Their best known singles on the Australian charts were "Great Southern Land", "Hey Little Girl", "Crazy", "Electric Blue" and "My Obsession"; with Top Three albums being Icehouse (1980, as Flowers), Primitive Man (1982) and Man of Colours (1987).


Icehouse was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006. ARIA described Icehouse as "one of the most successful Australian bands of the eighties and nineties...with an uncompromising approach to music production they created songs that ranged from pure pop escapism to edgy, lavish synthesized pieces...". Icehouse has produced eight Top Ten albums and twenty Top Forty singles in Australia, multiple top ten hits in Europe and North America and album sales of over 28 times Platinum in Australasia alone. As of 2006, Man of Colours was still the highest-selling album in Australia by an Australian band.

Sunday, February 12, 2017

Singer-songwriter Elena b Williams new album release "Feet in the Sand"

Elena b Williams is a Samoan Australian singer/songwriter originally from Perth, Western Australia, now in Byron Bay, whose music encompasses world, soul and funk music. She started playing music at her father's poetry readings in Perth when she was 15. She was interested in music as a child and says her mother is a fantastic ukulele player and was always singing traditional Samoan Island songs when she was growing up. Her parents had an amazing music collection of all kinds of music, so that was a great introduction to world sounds. Some of her favourite artists are Nina Simone, Tracey Chapman, Tom Waits, Patti Smith and Bob Dylan. 

Elena's career highlights are many, varied and impressive. Here are a few so far:

  • Toured with well known band The Waifs in 2015

  • Sang with Toni Childs for The Rebuild Nepal Concert on May 30th 2015 at Crystal Castle, Mullumbimby NSW.

  • Two songs featured on ABC 2014 TV series "The Gods Of Wheat Street", songs from the show "Time" and "Wish" available on iTunes with Elena's EP "The Rose".

  • Featured on Pete Murray's album "Summer at Eureka" on the track "Sugar".

  • 3 time MusicOz Finalist for songs "Different Kind of Water" 2013, 
  • "The Long Intro" 2012, and 2007 "Capital Clown".

  • Has released independent albums in 2011, 2012, 2013, 2014, 2016.

  • Writes music for film and television and enjoys bringing life to moving images.

Elena's new album "Feet in the Sand" is out now and available on iTunes. $3 dollars from every album sold goes to a youth surf program in the Byron Shire. 

You can stream and sample Elena's music on her reverbnation page:

She also has her own independent label, "Tauia Records", her mother's family name.

Marty's review: Elena's unique and distinctive vocals are something you just have to hear and experience. The diction and timbre resonate on every note and suit her musical styles that combine folk, soul and world music sounds. Her lyrics come from within and she reaches deep down into her soul to tell you a story that you know has been carefully and beautifully created.


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Wednesday, February 8, 2017

Divinyls...Desperate..1983 debut album

Divinyls formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996.

Amphlett was the cousin of 1960's Australian pop icon Patricia "Little Pattie" Amphlett, who had been married to Keith Jacobsen—younger brother of pioneer rocker Col Joye and leading promoter Kevin Jacobsen. In her autobiography Pleasure and Pain (2005), Amphlett described breaking into the music scene from the age of fourteen, being arrested for busking when seventeen and travelling in Spain, and how her performances drew upon childhood pain.

At the start of their popularity, Divinyls were considered to be a hard rock band. At some point many fans referred to Amphlett as the female Angus Young, as both had similar mannerisms on stage and wore black and white school uniforms while performing in the early 1980's. The band's image gradually changed after the release of the What A Life! album when the band began wearing elaborate clothing and producing more songs in the pop music genre. By the time of the release of their Temperamental album, the Divinyls' image had changed to a glamour fashion style where they produced modern pop music.

In May 2001, the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Science Fiction" as one of the Top 30 Australian songs of all time. The band was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2006 and in late 2007 Amphlett and McEntee reconvened to record a new single and begin working on a new album. The band played a short series of live gigs in Australia in late 2007 and early 2008.

Divinyls released five studio albums—four placed in the Top 10 Australian chart, while one (Divinyls) reached No. 15 in the United States (US) and No.33 for 3 weeks in Canada. Their biggest-selling single "I Touch Myself" (1990) achieved a No. 1 ranking in Australia, No. 4 in the US, No. 10 in the United Kingdom (UK), and No. 13 in Canada.

"Desperate", released in 1983, contained the hits "Boys in Town", "Only Lonely", "Science Fiction" and a cover of The Easybeats' "Make U Happy".

Aged 53 years, Amphlett died on 21 April 2013 at her home in New York City, USA, after a protracted battle with breast cancer. Amphlett had been unable to receive radiation or chemotherapy treatment for the cancer because she concurrently suffered from multiple sclerosis.

See also Chrissy Amphlett tribute post on this blog.


Saturday, January 28, 2017

Sunnyboys..This Is Real...Singles/Live/Rare

Sunnyboys were a power pop/post-punk band that formed in Sydney in 1980. Fronted by singer-songwriter, guitarist Jeremy Oxley, the band "breathed some freshness and vitality into the divergent Sydney scene". Their first two albums, Sunnyboys and Individuals both appeared in the Top 30 of the Australian Kent Music Report Albums Chart.

They signed to Mushroom Records in February 1981, becoming the first Sydney-based band on the label. Their first release was a single, "Happy Man" (Mushroom, K8335), which reached number 26 on the national singles chart. The same month they made an independent EP entitled Happy Birthday, containing the tracks "What You Need", "Why Do I Cry?", "I Want To Be Alone" and "Let You Go". This was given away at gigs.

Sunnyboys' eponymous debut album was recorded at Alberts Studio in Sydney between May and July 1981 with producer/mentor Lobby Loyde. The album (with an initial print run of 2,000 on yellow vinyl) reached number 13 on the national album charts in October 1981, establishing them as a headline attraction. A second single was taken from the album, a re-recorded version of "Alone With You", which also reached number 26 on the national singles chart.

Sunnyboys originally broke up in June 1984. Jeremy Oxley formed various incarnations of the band throughout the 1980's and into 1991, as the only original member. The original line-up (without Burgman) reunited for a one-off show in 1998 for the Mushroom 25 Concert. In 2012 the original line-up reunited for a surprise show in Sydney as part of the Dig It Up concert series, billed as "Kids In Dust". The original line-up of Sunnyboys later played sporadic shows in 2013 and also undertook national headline tours in March 2014 and March 2015.



Friday, January 20, 2017

Hoodoo Gurus...Electric Soup..The Singles Collection

Hoodoo Gurus (referred to as "The Gurus" by fans), formed in Sydney in 1981, by the mainstay Dave Faulkner (songwriter, lead singer and guitarist) and later joined by Richard Grossman (bass), Mark Kingsmill (drums), and Brad Shepherd (guitar, vocals, harmonica). Their popularity peaked in the mid to late 1980's with albums Mars Needs Guitars!, Blow Your Cool! and Magnum Cum Louder.

Hoodoo Gurus had a string of acclaimed pop-rock singles including "Leilani" (1982), "Tojo" (1983), "My Girl" (1983), "I Want You Back" (1984), "Bittersweet", "Like Wow - Wipeout!", and "What's My Scene?". After touring the United States from 1984 onwards they gained popularity on the U.S. college rock circuit[4] with singles "Come Anytime" (1989) reaching No. 1 and "Miss Freelove '69" (1991) reaching No. 3 on the Billboard Modern Rock Tracks chart.The Gurus’ biggest Australian hit single was their 1987 Top 3 hit song "What's My Scene?" or, as modified for the National Rugby League 2000s theme, "That's My Team".

Hoodoo Gurus' iconic status on the Australian rock scene was acknowledged when they were inducted into the 2007 ARIA Hall of Fame. Their induction announcement stated that the Gurus were one of the most "inventive, lyrically smart and exciting" bands from Australia. From 1960's power pop, and wild garage punk to hard driving rock and funky psychedelic kitsch their music stood out from Sydney's Detroit-inspired bands.