classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff

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Showing posts with label Art Rock. Show all posts
Showing posts with label Art Rock. Show all posts

Thursday, November 21, 2024

Skyhooks - A Collection

 


Skyhooks were an Australian rock band formed in Melbourne in 1973. Their classic lineup (1974–1977) comprised Graeme "Shirley" Strachan (vocals), Greg Macainsh (bass and backing vocals), Red Symons (guitar, vocals, keyboards), Bob "Bongo" Starkie (guitar and backing vocals), and Imants "Freddie" Strauks (drums).

Known for their flamboyant costumes and makeup, their music addressed a variety of issues including drugs, sex, and the gay scene while frequently referencing Australian places and culture. Evolving from a series of groups with Macainsh and Strauks in the late 1960s and early 1970s, they rose to national prominence when their debut album Living in the 70's (1974), which was initially a moderate success upon release, gained unprecedented popularity the following year, aided by the nascent ABC music show Countdown; the album topped the Australian Kent Music Report chart for a record-breaking 16 weeks and sold over 200,000 copies, becoming the best-selling Australian album at the time. Their second album Ego Is Not a Dirty Word (1975) topped the Kent Music Report for 11 weeks.

Symons and Strachan left in 1977 and 1978 respectively and became media personalities; Symons was replaced with Bob Spencer and Strachan was replaced with Tony Williams, before they disbanded in 1980. The classic lineup reunited four times in the ensuing years, with reunions in 1990 and 1994 producing new material, including the number-one song "Jukebox in Siberia" in 1990. Strachan died in a helicopter crash in 2001; original lead singer Steve Hill, who left and was replaced by Strachan, died in 2005, and original guitarist Peter Starkie died in 2020.

Music historian Ian McFarlane stated that the band "made an enormous impact on Australian social life". In 1992, the group was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame. In 2011, the Skyhooks album Living in the 70's was added to the National Film and Sound Archive of Australia's Sounds of Australia registry.




























Skyhooks/Daddy Cool




Friday, May 10, 2019

Melbourne-based Malcolm Hill and Live Flesh videos for "Cosmic Love" and "Anybody Seen My Girl"



(filmed at the Chua Linh Son Buddhist temple and Golden Pheasant Buffet in downtown Reservoir)


Signed-up member of the Melbourne Music Mafia, Malcolm Hill, recently premiered the new single "Cosmic Love" with his band Malcolm Hill and Live Flesh.

Malcolm Hill is a rock n roll showman who pursues a vision based on the Sir Robert Helpman School of Opera and Fine arts in regional Queensland 1968 (no such place has ever existed).

Recorded at the all analogue Secret Location studios in Fairfield, Melbourne,  Cosmic Love features the Live Flesh band and the love unlimited backing vox of Lisa Salvo (On Diamond), Philippa Nihill (Underground Lovers), & Heidi McDermott.


Anybody Seen My Girl https://youtu.be/1JCAjDofapE


Geelong-born Hill is a writer and staple of the 1980's Melbourne underground music scene with Buick KBT and Head Undone. Hill has guested with the likes of Dave Graney and the Coral Snakes, Nick Cave and The Dirty Three so he's well-credentialed to say the least.

Link up with Malcolm Hill and Live Flesh:

http://www.malcolmhill.com.au

https://malcolmhill.bandcamp.com/album/cosmic-love


Monday, May 21, 2018

The Glorious release first single "Last Game of the Season" from upcoming new album



Ahead of their new album release 'Kings' on June 1st — Australia’s The Glorious announce the release of the first single from it. 





They return exploring first love, farewells and lost innocence on the lush and melancholic "Last Game of the Season.” The single was co-produced by founder Dave Mather and long-time collaborator  Julian Mendelsohn (Paul McCartney, Kate Bush). The current lineup consists of founders  Mather (vocals, guitar, keyboards), Dan Gard’ner (drums, vocals, percussion) and Joel Loukes (bass).  According to lead singer Dave Mather, "Last Game of the Season” is partly inspired by the high school drama Friday Night Lights, where the concerns that dominate teenagers' lives are very real and deeply experienced: 

“The final game of any sports  season is symbolic of the seismic changes we experience at a young age. The song is about letting go of one chapter of your life and moving on to the next, and the mixed emotions that come with this. There is excitement and anticipation, but also a certain sadness and loss of innocence. There is a knowledge that this phase is coming to a close, and that something new is around the corner.”



"The vocals are exquisite, the melodies are marvelous...and it sounds sensational". - Jeff Jenkins, 'Howzat!' (The Music)


You can stream it on spotify HERE 

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Sunday, January 14, 2018

Groom Epoch, former members of The Church, Died Pretty and The Go-Betweens, release new single "Cosmic Artifice"



Groom Epoch, a luminous outfit created by former drummer of The Church, Richard Ploog, are set to release their new album, Solar Warden, through Golden Robot Records in April 2018, with Cosmic Artifice, the lead single from the eclectic group.

Stream Groom Epoch’s Cosmic Artifice here:
http://smarturl.it/GE-CosmicArtifice

Remaining under the radar doing select shows around the place, Groom Epoch have done a full about face to expose themselves to a greater global audience.  Showcasing the diverse talents of singer, songwriter, drummer and producer, Richard Ploog, and backed by the awesome talents of some of Australia’s most iconic musicians, including former members of The Go-Betweens, Died Pretty and Lime Spiders (Amanda Brown on violin and auto-harp, Brett Myers on lead guitar, John Hoey on keyboards, Phil Hall on bass, and Ash Wanders on rhythm guitar), Groom Epoch is an all-star cast of musical iconoclasts combining their talents and creating a super stellar sound.

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Sunday, March 26, 2017

Dave Graney and The Coral Snakes...The Baddest



David John "Dave" Graney is a musician, singer-songwriter and author from Melbourne. Since 1978, Graney has been accompanied by drummer, Clare Moore. The pair have fronted numerous bands including The Moodists (1980 to 1987), Dave Graney and The White Buffaloes (1989 to 1990), Dave Graney and Coral Snakes (1987 to 1989, 1991 to 1997), The Dave Graney Show (1998 to 2003) , Dave Graney and Clare Moore featuring the Lurid Yellow Mist or Dave Graney and the Lurid Yellow Mist (2004 to 2011). He was awarded 'Best Male Vocalist' at the ARIA Music Awards of 1996 for his work on The Soft 'n' Sexy Sound, while "Feelin' Kinda Sporty" won 'Best Video' in 1997 and he has received seven other ARIA Award nominations. 

Graney and Moore formed Dave Graney and the Coral Snakes in late 1987 and played in London pubs and clubs. Other members were, Gordy Blair on bass guitar, Malcolm Ross (ex-Orange Juice, The Moodists) on guitar and Louis Vause on piano and keyboards. In 1988, with Barry Adamson (former member of Magazine, Nick Cave and the Bad Seeds) producing, they recorded enough material for an extended play, At His Stone Beach released in September on the Fire label. Graney had adopted a cowboy image, wearing snake skin and brown suede, sporting a curled moustache and waxed goatee. The band released My Life on the Plains in 1989 with Phil Vinall producing.

During June 1990, Graney, Hayward and Moore travelled to London and recorded I Was the Hunter... and I Was the Prey with Blair on bass guitar, Ross on guitar, and Vause on piano. The album was produced by Vinall at a Croydon home studio run by former Procol Harum organist Matthew Fisher. For their April 1993 album, Night of the Wolverine, the band signed with PolyGram, Andrew Picouleau (ex-Sacred Cowboys) provided the bass guitar and Cohen co-produced. Graney adopted a new persona, "The Golden Wolverine", with the album described as "a certified Australian rock classic". It captured Graney at the peak of his songwriting powers "... [tracks were] full of elegant and eccentric detail". The band's next album, You Wanna Be There But You Don't Wanna Travel, which peaked at No. 10 on the ARIA Album Charts, was released in June 1994.

The group's July 1995 album, The Soft 'n' Sexy Sound, was produced by Victor Van Vugt. It reached the Top 40 and earned Graney the 'Best Male Artist' accolade at the ARIA Music Awards of 1996. In his acceptance speech, Graney wore a hot pink, crushed velvet suit and a wig to declare himself (under his breath) 'King of Pop'. The next album, The Devil Drives, (May 1997), reached the Top 20. It was recorded in Melbourne and mixed in London at Maison Rouge studios and co-produced by Graney, Moore and David Ruffy. It spawned the single, "Feelin' Kinda Sporty".

They released this compilation, The Baddest, in September 1999. It includes an unreleased version of "The Sheriff of Hell" from The Devil Drives which was re-recorded and remixed with Andrew Duffield (ex-Models) on keyboards, Phil Kenihan and Billy Miller (The Ferrets) on guitar and vocals. It also features an unreleased cover version of the AC/DC song "Show Business". 








                                             




                                                                             

Friday, March 10, 2017

Hunters & Collectors first 2 albums H&C (1981) and Fireman's Curse (1983)



Hunters & Collectors formed in 1981. Fronted by founding mainstay, singer-songwriter and guitarist Mark Seymour, they developed a blend of pub rock and art-funk. Other mainstays are John Archer on bass guitar, Doug Falconer on drums and percussion. Soon after forming they were joined by Jack Howard on trumpet and keyboards, Jeremy Smith on French horn, guitars and keyboards, and Michael Waters on trombone and keyboards. Also acknowledged as a founder was engineer and art designer Robert Miles. Joining in 1988, Barry Palmer, on lead guitar, remained until they disbanded in 1998. The group reformed in 2013 with the 1998 line-up.

Originally, Hunters & Collectors were influenced by Krautrock and productions of Conny Plank, featuring strong percussive influences, noisy guitar, and driving bass lines. Their sound was in the vein of the Talking Heads album, Remain in Light (1980). Hunters & Collectors utilised Plank to produce two of their early albums, The Fireman's Curse (1983) and The Jaws of Life (1984), but neither charted into the Top 50 of the Australian Kent Music Report Albums Chart. 





Their first Top 10 album, Human Frailty (1986), also featured their logo, a H & C symbol, where the "&" consists of twin snakes entwined around a hunting knife, a variation of a caduceus. Later Top 10 studio albums were Ghost Nation (1989), Cut (1992), and Demon Flower (1994). Their hit singles were "Talking to a Stranger" (1982), "Throw Your Arms Around Me" (1984), "Say Goodbye" (1986), "When the River Runs Dry" (1989), "True Tears of Joy" (1992), and "Holy Grail" (1993). They became one of the best live acts in Australia and according to musicologist, Ian McFarlane, their "great achievement was to lay bare human emotions in the intensely ritualistic milieu of the pub-rock gig".





                                                        

Monday, October 3, 2016

Split Enz...Second Thoughts (1976) and Dizrythmia (1977)






Second Thoughts, released in 1976, was Split Enz' second album. It was recorded in London with Roxy Music's guitarist Phil Manzanera producing the album. Four of the songs on the album were reworked versions of songs from their 1975 debut album Mental Notes. Two other songs on the album had been first recorded during the Mental Notes sessions, but left off and re-recorded for Second Thoughts. There were two new songs, both written by Phil Judd, and a re-recording of an early Judd/Finn composition ("129"), which for the Second Thoughts version, was renamed "Matinee Idyll".


Dizrythmia, Split Enz' third album, released in 1977, was the first Split Enz album without co-founding members Phil Judd and Mike Chunn. Neil Finn and Nigel Griggs, the first being the younger brother of band leader Tim Finn, replaced them respectively. Meanwhile, Nigel's old friend and former band mate Malcolm Green took the place of Emlyn Crowther who also left around this time. The album was released domestically by Mushroom Records, and overseas by Chrysalis Records.

The single "My Mistake" was a hit in New Zealand and Australia, but failed to make much impact overseas. "Bold as Brass" was the second single. The album is regarded as the start of the band's breakthrough, and marked a shift from art rock to more pop-oriented songs.

The album's title comes from circadian dysrhythmia, more commonly known as jet lag. The back cover was originally intended as the front cover. Both were designed by Noel Crombie, who also designed the band's costumes.

Tim Finn coughs forty-four seconds into "Nice To Know", a feature erroneously left in the final mix. Both Tim Finn and Eddie Rayner were disappointed with the final mix of "Charlie" feeling that the vocals sounded very flat. Geoff Emerick, the engineer for the album thought it was a beautiful vocal however, so it stayed.





see previous post on Mental Notes
Split Enz on Wikipedia

 

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Wednesday, March 2, 2016

Split Enz...Mental Notes...1975 release...underrated progressive rock album


Split Enz  formed in 1972 in New Zealand, by founding members Phil Judd and Tim Finn. One of the most successful New Zealand musical acts of the late 1970's and early 1980's, the band would go on to achieve chart success in New Zealand, Australia and Canada – most notably with their 1980 single "I Got You" – and built a cult following elsewhere. Their musical style was eclectic, incorporating influences from art rock, vaudeville, swing, punk, rock, new wave, and pop. Split Enz established a reputation for a distinctive visual style, thanks partly to their colourful, offbeat costumes and hairstyles.

The group's career falls into two phases. They began as an acoustic folk band in the early 1970's and by the time they recorded their first album they had changed to electric instruments and took on a progressive rock sound. From 1977 onward, with the departure of songwriter/guitarist Phil Judd and the arrival of Neil Finn, Split Enz' sound began to move from progressive rock towards new wave and pop.

In two weeks during May/June 1975 Split Enz recorded their debut album Mental Notes at Festival's Studio 24 in Sydney. It was produced by David Russell, who was also their tour manager in 1975 – 76. The engineer was Festival staffer Richard Batchens.

After its release in July it sold 12,000 copies in Australia, reaching No. 35 on the album chart for one week, and peaking at No. 7 in New Zealand. It was also a critical breakthrough. Much of the material derived from Tim Finn's and Phil Judd's fascination with the work of English writer and artist Mervyn Peake – notably "Spellbound", "Stranger Than Fiction" (their concert centrepiece) and "Titus", named after the hero of Peake's Gormenghast trilogy.

The album cover was painted by Phil Judd in 1973–74. The original painting is now in the collection of Museum of New Zealand Te Papa Tongarewa.








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