Paul O'Gorman..Poet and the Painter..singer songwriter's only album from 1978

Paul O’Gorman was an unknown quantity when he entered the 1976 Australian Popular Song Festival. Former Cherokees guitarist Doug Trevor believed in Paul’s abilities as a performer and the two began writing songs together. When they entered the Festival in '76 they thought they were in with a chance, though they faced stiff competition from some big names, including Steve Groves and Beeb Birtles.

Paul presented Doug's composition of 'You're More To Me' at the 1976 Australian Pop Song Festival. They succeeded in winning second place. In 1977 they re-entered the Festival and this time they won with a song entitled 'Ride, Ride America'. From there they took the number to the International Song Festival in Tokyo and took off two of the major prizes — Best Song and Best Song Performance.

What happened to Paul after making the final that year was a short but great journey into the world of pop stardom. He enjoyed a couple of hit singles, played to international audiences and cut a lone LP, The Poet And The Painter (Infinity Label), before leaving it all behind to work behind the scenes in publishing, management and entertainment law. 

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Track Listing
01 - You're More To Me
02 - Love Again
03 - Poet And The Painter
04 - Lisa
05 - Are You Travellin' With Me
06 - Having Love Behind
07 - (You And Me And) Love In The Morning
08 - Doesn't It Show
09 - Ramblin Old House
10 - Ride, Ride America
11 - May It All End With You

Vocals - Paul O'Gorman
Acoustic Guitar - Paul O'Gorman, Jonathan Coben
Electric Guitar - Jonathan Coben, Mario Millo
Bass - Chris Stafford, Roger Corbett
Drums & Percussion - Dave Hicks
Keyboards - Raddy Ferreira, Ian Hunt
Trumpet/Flugel Horns - Boof Thomsen, Ray Bensted
Trombones - Bob McIvor, Derek Long, Ron Spillett, Peter Haslam
Cellos - Hans Gyors, Donna Noble
Mandolin - Mario Millo
Flute - Errol Buddle
Harmonica - Greg Foster
String Leader - John Lyle
Backing Vocals - Alison MacCallum, Janice Slater, Sally Rogan
                 Peter Brandon, Mick Leyton, Joe Andre

Group Therapy..All Aussie 70's Blues and Progressive Rock Compilation on the Infinity Label

This 8 track compilation was released in the 70's on the Infinity label and features some classic blues and progressive rock artists like Chain, Blackfeather, Aztecs, Moonstone and a few other hard to find rarities. Take a trip back.

A1 Heart'N'Soul – Hot Boogie Band 3:10

A2 Tymepiece– Why? 2:20

A3 Blackfeather– On This Day That I Die 4:00

A4 Ray Brown & Moonstone– Start Of A New Day 3:12

B1 Billy Thorpe And The Aztecs– Goodbye Baby 3:34

B2 Kahvas Jute– Free 5:12

B3 Chain – Gertrude St. Blues 5:15

B4 Cleves– Wait For A Moment 3:20

Group Therapy - The Stars of Infinity

Blackfeather..At the Mountains of Madness....progressive rock landmark album from 1971

Blackfeather were one of the most popular and successful groups of the early '70s, and produced one of the landmark Aussie progressive rock albums, but a major split early in the group's history disabled what should have been a promising career for founder John Robinson. There was a bewildering series of lineup changes, with Blackfeather going through at least six major incarnations between 1970 and 1983, with a huge personnel list for each version. The list is a veritable 'Who's Who' of the 70s rock scene. However it's the first two lineups - 'Mark I', who made At The Mountains Of Madness and 'Mark II' who recorded "Boppin' The Blues" - that are the best known.

Blackfeather (Mk I) formed in April 1970 with the original lineup being John Robinson (gtr), Neale Johns (vcls), Leith Corbett (bs) and Mike McCormack (dr). All but Johns had come straight from the split of the highly-rated Dave Miller Set, who were one of NSW's most popular live groups in the late 60s, and whose classic version of "Mr Guy Fawkes" was Go-Set's pick for the Best Single of 1969.

Blackfeather began working consistently around the traps, cementing the strong fan base and critical interest that the Dave Miller Set had built up over the previous three years. As John noted, they became one of the first acts signed to Festival's newly-formed Infinity subsidiary.

It was this second lineup -- Robinson, Johns, Fortesque and Kash -- which featured on their debut album, the Australian progressive classic At The Mountains Of Madness, recorded in late 1970 and released early the following year. The LP was produced by Richard Batchens, who later worked with Sherbet and Richard Clapton. Fraternity's singer Bon Scott guested on recorder and percussion, and their keyboard player John Bissett also contributed.

At The Mountains Of Madness was released in April 1971 and was a national Top 10 LP (#7) in May. The album has perhaps not aged as well as some others from the period; the title track and the ambitious suite "The Rat" sound a little dated now, although there is sterling playing by Robinson throughout. Still, there are plenty of highlights, including the heavy-riffing "Long Legged Lovely" (with some of the heaviest bass yet captured on an Aussie recording) and the classic "Seasons Of Change", one of the most memorable and adventurous singles of the period.

..text courtesy of Milesago

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