Australian Rock 71-72 Vol.1 Collectors Album - Havoc label vinyl release

This is a vinyl rip from an album released on the Havoc label in the early 1970's. It features several Havoc label artists of the time such as Billy Thorpe and the Aztecs, Carson and The Wild Cherries featuring Lobby Loyde.

These are the original album liner notes:

Australian Rock has fought long and hard for recognition.  The medium that has been directly responsible for Rock culture is radio. Most Australian radio is modeled on American and than anything else has shaped the audience and the criticism of Australian Rock.

To compete in the play list war, an Australian musical group has to deliver an American or English sounding rock number. This retarding condition is now beginning to change. Australian Rock has a high energy potential - the same high energy potential that was found in early Little Richard, Presley, Berry and Domino rock. The same high energy potential as early English rock by the Animals, Stones, Kinks and some Beatle Rockers. Other high energy potential groups were Cream, Hendrix, Yardbirds and The Who.

American and English Rock differ in their high energy potential distribution and Australian Rock differs from both of these by its high energy rhythm sections with high density colour trips. Australian Rock is at last becoming noticed by the Australian media and the Australian audience. Given time, Australian Rock will be heard and appreciated everywhere . So - "Watch out World".
Lobby Loyde - September 72.

Australian Rock

Track Listing:
01 - Dawn Song (Aztecs)
02 - Traveling South (Carson)
03 - Pattern Of My Life (Michael Turner In Session)
04 - Time To Live (Aztecs)
05 - Moonshine (Carson)
06 - Slowest Guitar On Earth (Lobby Loyde)
07 - Most People I Know (Aztecs)
08 - Liberate Rock (Lobby Loyde and the Coloured Balls)
09 - Cold Feet (Chook)
10 - Don't Worry (Carson)
11 - I Am The Sea (Wild Cherries)
12 - Just Around Midnight (Michael Turner In Session)
[Bonus Missing Tracks]
13 - Daily Planet (Wild Cherries)
14 - Regulation Puff (Aztecs)

https://youtu.be/5BFNk7QUZ9w

Matt Taylor...Straight As A Die...1973 album from Aussie blues legend

Matt Taylor was born in Brisbane, Queensland, in 1948. Taylor began listening to blues records in high school, and taught himself the guitar and harmonica. In February 1966 he joined the Bay City Union, one of Australia’s first electric blues bands. They moved to Melbourne in December 1966 and achieved some success playing in dance halls and clubs. They recorded a single "Mo’reen" and "Mary Mary" released on the Festival label in 1968. Among the other members of this band was Glenn Wheatley, who was also their manager.

The Bay City Union broke up in May 1968. Taylor joined the Wild Cherries in October 1968, but left the following month. During 1969 and 1970, he played with progressive heavy rock / blues bands Horse and Genesis (not the UK prog band of the same name).

From September 1970 to October 1971, Taylor was the front-man for the blues band Chain, which had a hit single ("Black and Blue") and album ("Toward the Blues") during this period. He then quit the music industry and went to live on a commune led by Fred and Mary Robinson at Beechworth.

In 1973 he returned to the music scene as a solo artist, releasing three albums over the next three years, and scoring a major hit with the single "I Remember When I Was Young". He was one of the first artists to record for Mushroom Records, and was managed by Michael Gudinski.

"Straight As A Die" was released in 1973 and features prominent Australian guitarist Phil Manning.

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See previous posts: Chain, Towards the Blues / The Wild Cherries, That's Life

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Down Under Nuggets - Original Australian Artyfacts 1965-1967..Various Artists

Down Under Nuggets is a collection of 29 gems from the heyday of Aussie sixties music. From garage to punk, surf, mod, beat, psychedelic and just plain groovy! Many well known artists like The Easybeats, The Atlantics, Bobby and Laurie, Bee Gees, Wild Cherries, Cherokees, The Loved Ones, Purple Hearts, Missing Links, MPD LTD plus a few more lesser known for you to discover. I'm not going to say much more about this release so I'll let the track listing do the talking. Enjoy!

The Master's Apprentices– Buried And Dead 2:39

The Elois– By My Side 2:15

The Black Diamonds– I Want, Need, Love You 3:00

The Atlantics– Come On 2:54

The Purple Hearts– Early In The Morning 2:08

The Missing Links– Wild About You 2:36

The Creatures – Ugly Thing 3:18

The Lost Souls– This Life Of Mine 2:41

The Moods – Rum Drunk 2:19

Derek's Accent– Ain't Got No Feeling 2:14

The Bee Gees*– Like Nobody Else 2:35

Barrington Davis– Raining Teardrops 2:29

The D-Coys– Bad Times 2:54

The In-Sect – Let This Be A Lesson 2:42

Steve & The Board*– I Want 2:37

Toni McCann– No 1:49

Peter & The Silhouettes– Claudette Jones 2:04

The 5*– There's Time 2:18

Bobby & Laurie*– No Next Time 2:25

MPD Ltd*– I Am What I Am 2:25

The Cherokees – I've Gone Wild 2:41

The Loved Ones – The Loved One 2:51

Phil Jones & The Unknown Blues*– If I Had A Ticket 2:39

The Throb – Black 3:11

The Blue Beats – She's Comin' Home 2:24

The Easybeats– Sorry 2:35

Bobby James Syndicate*– Hey Hey Hey 2:31

The Wild Cherries– Krome Plated Yabby 2:58

The Sunsets – The Hot Generation (Soundtrack Version) 5:29

Down Under Nuggets

The Wild Cherries..That's Life

The Wild Cherries started out in late 1964 playing R'n'B and became "the most relentlessly experimental psychedelic band on the Melbourne discotheque / dance scene" according to commentator, Glenn A. Baker. In 1964, Melbourne University's Architecture students, John Bastow on vocals, Rob Lovett on rhythm guitar and vocals, and Les Gilbert on bass guitar, formed The Wild Cherries. The Wild Cherries were named by word association: Chuck Berry – Buck Cherry – Black Cherries – Wild Cherries. Local blues man Malcolm McGee on lead guitar and vocals, and Geoff Hales on drums soon joined. Their debut performance was at Melbourne's first discothèque, the Fat Black Pussycat, located in South Yarra (Melbourne).Drummer Kevin Murphy, who had been playing in a modern jazz trio, replaced Hales almost immediately.

The band had several personnel changes, the 1967 line-up featured Keith Barber on drums, Peter Eddey on bass guitar, founder Les Gilbert on keyboards, Lobby Loyde (ex-The Purple Hearts) on guitars, and Dan Robinson on vocals. The band released four singles for Festival Records, including "Krome Plated Yabby" in June 1967 and "That's Life" in November, which peaked into the Go-Set National Top 40. Loyde went on to join Billy Thorpe & the Aztecs, then formed Lobby Loyde & the Coloured Balls and also had a solo career.

Loyde resurrected the name in 1971 as a three-piece hard rock outfit with Johnny Dick on drums and Teddy Toi on bass guitar (both ex-Max Merritt & the Meteors, Billy Thorpe & the Aztecs, Fanny Adams). The new line-up of The Wild Cherries issued one single on the Havoc label, "I am the Sea (Stop Killing Me)" in November 1971. Raven Records included "I am the Sea (Stop Killing Me)" on the compilation Golden Miles: Australian Progressive Rock 1969–1974 released in 1994. The band appeared at the inaugural Sunbury Pop Festival in January 1972, but disbanded a month later.

The Wild Cherries: That's Life was released in 2007 by Half A Cow Records.

                                       

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Visit my other music blogs here:

Soundtrack Heaven

The Aussie Music Blog

The Vintage Music Blog

The Jazz Music Blog

This Jukebox Rocks

The Blues and Roots Music Blog

Martin's Music Machine

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Twitter @islandmanrocks