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Showing posts with label Oz Records. Show all posts
Showing posts with label Oz Records. Show all posts

Sunday, August 14, 2016

Stiletto...Licence to Rage...1978 album



Stiletto formed in early 1976 and quickly gained a reputation of being a strong feminist band. At that point, their line-up included singer/songwriter JANIE CONWAY on guitar and vocals and Marney Sheehan on bass. Shortly after Chris Worrall joined the band", Janie left. 

They first appeared on vinyl in July 1977 when they provided the B-side, 'Nights In Parlour', to Red Symon's single "Only A Flipside'. Later in the year, they gained prominence with the release of the Oz Records compilation album, Debutantes, to which they contributed three songs. Their first wholly Stiletto single, 'Bluebirds', written by Andrew, was followed in August '78 by their debut album, 'Licence to Rage' — unfortunately to become their only LP. Two tracks from the album, 'Goodbye Johnny' and 'Woman In A Man's World' were released as a single (Oz label) in the same month.

In November it was announced that one of their songs, 'Women In Trouble', was to be used on a film soundtrack (other tracks by the band had been used previously on movies). This news was accompanied by some not so good tidings — they were dropped by their record company, EMI. Regrettably, this seemed to precipitate their dissolution. Chris Worrall left to join Paul Kelly and the Dots. He was replaced by CHRIS DYSON (ex-High Rise Bombers) and briefly the band seemed to rejuvenate, and even appeared as special guests on Elvis Costello's Melbourne show; but early in 1979 the final decision to split was made.

Line-up: 
ANDREW BELL (guitar); 
JANE CLIFTON (vocals); 
CELESTE HOWDEN (bass, vocals); 
EDDIE VAN ROSENDAAL (drums, vocals); 
CHRIS WORRALL (guitar, vocals). 

(Chris had previously worked with Pelaco Bros, Captain Matchbox and Bleeding Hearts; Eddie, Jane and Andrew with Toads.)

"Half man, half woman! C'est Stiletto, one of Melbourne's few truly underground bands, burrowing upwards toward the light of wider recognition. Stiletto, whilst pretending to a certain cool, are closet flamboyant. Lots of colour and imagery, scrambled genders, and a sort of shivering toughness which has definite appeal. Constant revolving in the club 'n' pub circuit has polished this sharp little gem of a band until crikey they can really rock. There's been the odd line-up casualty, but always the replacements have been well selected, eventually beefing up the band." taken from...Pub Bands - An Ocassional Guide (Article by Jenny Brown, 'Bottom Line' Newspaper - March / April 1978, p12)









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Friday, February 5, 2016

Jo Jo Zep and The Falcons...Don't Waste It...1976 album



In late 1975, Jo Jo Zep and the Falcons were formed in Melbourne as Jo Jo Zep and His Little Helpers. The band was put together after Ross Wilson (ex-Daddy Cool, Mighty Kong), who was waiting out his recording contract, had turned to producing other artists for the label, Oz Records. He decided to produce a version of Chuck Berry's "Run Rudolph Run", as a one-off Christmas single for Mushroom Records. Contractually, Wilson could not perform the vocals himself, so he asked his friend, Joe Camilleri (ex-The Pelaco Brothers with Stephen Cummings) to sing and play on the recording. Camilleri's nickname was Jo Jo Zep, which was derived from a traditional Maltese nickname for "Joseph", so the group was named Jo Jo Zep and His Little Helpers. The line-up included bass guitarist, John Power (ex-Foreday Riders).

Jo Jo Zep and the Falcons signed with Oz Records and, in July 1976, released their first single, "Beating Around the Bush". The track was written and sung by Wayne Burt and peaked at No. 73 on the Australian Kent Music Report Singles Chart. The song was also one of two tracks by the group on Wilson's soundtrack for the feature film Oz (1976). The follow-up single was a cover of Otis Redding's "Security" sung by Camilleri, which peaked at No. 98. In February 1977, the band released their debut album, Don't Waste It, which was produced by Wilson and contained both singles. The album featured lead vocal turns by Camilleri, Burt and Power. The songwriting was mostly by Burt, with a few cover tunes, and one song by Camilleri. Although the intent was to be a serious R'n'B band, the musical direction was never set in stone.





                                        


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