classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff

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Showing posts with label Guitar Group. Show all posts
Showing posts with label Guitar Group. Show all posts

Friday, March 10, 2017

Hunters & Collectors first 2 albums H&C (1981) and Fireman's Curse (1983)



Hunters & Collectors formed in 1981. Fronted by founding mainstay, singer-songwriter and guitarist Mark Seymour, they developed a blend of pub rock and art-funk. Other mainstays are John Archer on bass guitar, Doug Falconer on drums and percussion. Soon after forming they were joined by Jack Howard on trumpet and keyboards, Jeremy Smith on French horn, guitars and keyboards, and Michael Waters on trombone and keyboards. Also acknowledged as a founder was engineer and art designer Robert Miles. Joining in 1988, Barry Palmer, on lead guitar, remained until they disbanded in 1998. The group reformed in 2013 with the 1998 line-up.

Originally, Hunters & Collectors were influenced by Krautrock and productions of Conny Plank, featuring strong percussive influences, noisy guitar, and driving bass lines. Their sound was in the vein of the Talking Heads album, Remain in Light (1980). Hunters & Collectors utilised Plank to produce two of their early albums, The Fireman's Curse (1983) and The Jaws of Life (1984), but neither charted into the Top 50 of the Australian Kent Music Report Albums Chart. 





Their first Top 10 album, Human Frailty (1986), also featured their logo, a H & C symbol, where the "&" consists of twin snakes entwined around a hunting knife, a variation of a caduceus. Later Top 10 studio albums were Ghost Nation (1989), Cut (1992), and Demon Flower (1994). Their hit singles were "Talking to a Stranger" (1982), "Throw Your Arms Around Me" (1984), "Say Goodbye" (1986), "When the River Runs Dry" (1989), "True Tears of Joy" (1992), and "Holy Grail" (1993). They became one of the best live acts in Australia and according to musicologist, Ian McFarlane, their "great achievement was to lay bare human emotions in the intensely ritualistic milieu of the pub-rock gig".





                                                        

Wednesday, July 13, 2016

Radio Birdman...Burn My Eye EP plus Radios Appear LP...1977




Radio Birdman were one of the first Australian punk bands, along with The Saints. They were formed by Deniz Tek and Rob Younger in 1974. The group influenced the work of many successful, mainstream bands, and are now considered one of the most crucial bands to Australia's musical growth, but their main legacy was their towering influence over Australian indie rock in the 1980's.

Deniz Tek and Rob Younger formed Radio Birdman in mid-1974 in Sydney, having recently left their bands 'TV Jones' and 'The Rats' respectively. The pair sought to begin a band that would have no commercial interest and break the norm at the time, so they recruited classical keyboard player Philip 'Pip' Hoyle, drummer Ron Keeley and bassist Carl Rorke . The band took their name from a misheard lyric from the Iggy and The Stooges' song "1970" (the actual lyric is "radio burnin'").

They recorded an EP, Burn My Eye,and their first album, Radios Appear, produced by John L Sayers and Charles Fisher at Trafalgar Studios in Annandale. Trafalgar Studios financed the recordings. Radios Appear was critically acclaimed, getting 5 stars in the Australian Rolling Stone edition. The album owed much of its style to Detroit bands of the late 1960's, such as The MC5 and The Stooges. The title of the album comes from a Blue Öyster Cult song "Dominance and Submission" from their 1974 Secret Treaties album, influences from which can also be seen in Birdman's creative output.





Sales of this album were initially limited because they were recording using a private label Trafalgar Records. Shortly after initial release, Trafalgar Records leased the recordings to WEA who took on the album and gave it a wider release. When Sire Records president Seymour Stein came to Australia to sign up fellow punk band The Saints, he saw Radio Birdman play and immediately invited them to join his label. Under this new label, Radio Birdman released a new version of Radios Appear featuring a mixture of re-mixed, re-recorded and some new material. Comparisons between the two versions of the album are disputed, with some feeling that the second version is a more accurate reflection of the band's sound. Most fans however own both versions and simply treat them as two separate and different recordings.





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Friday, June 6, 2014

The Angels...first 2 albums self-titled 1977 and Face to Face 1978



As a tribute to the late Doc Neeson, here are the first 2 albums by The Angels with the now iconic and classic tracks "Am I Ever Gonna See Your Face Again", "Comin' Down", "Take A Long Line" and "After the Rain". 

The Angels originally formed in Adelaide, South Australia, in 1974. The band later relocated to Sydney and enjoyed huge local success, clocking up hit singles across four decades, including "Am I Ever Gonna See Your Face Again", "Take a Long Line", "Marseilles", "Shadow Boxer", "No Secrets", "We Gotta Get Out Of This Place", "Let The Night Roll On", "Dogs Are Talking", and "Caught In The Night". The Angels were cited by Guns N' Roses and a number of Seattle grunge bands, including Pearl Jam and Nirvana, as having influenced their music.

In November 1970, brothers Rick and John Brewster formed The Moonshine Jug and String Band. In 1971, the band was joined by Belfast-born Bernard Neeson, an arts student and former Army sergeant and already a prominent figure on the Adelaide music scene. In 1974 they changed their name to The Keystone Angels, switched to electric instruments and began playing 1950s rock and roll on the pub circuit. In 1975, the band supported AC/DC during a South Australian tour, and later performed as the backing band for Chuck Berry.

In 1975, on the recommendation of Bon Scott and Malcolm Young from AC/DC, the band was offered a recording deal with the Albert label. They dropped "Keystone" from their name and became simply "The Angels". At this point the band had four members: Neeson on bass guitar, Charlie King (Peter Christopolous) on drums, Rick Brewster on lead guitars and John Brewster on lead vocals and rhythm guitar.

The Angels' first single, "Am I Ever Gonna See Your Face Again", was released in April 1976. They made their TV debut appearance on Countdown. Later in the year, Charlie King, at the time AWL from the army, was replaced by Graham "Buzz Throckman" Bidstrup on the drums. This was the first of three different versions of the song the band released as singles throughout their career.

The band's second single, "You're A Lady Now", was released in July 1977, followed a month later by their self-titled debut LP, The Angels. By now Chris Bailey had joined the band on bass, allowing Neeson to concentrate on vocals. Bailey had been a member of Mount Lofty Rangers with Bon Scott in 1974. Neeson's move to specialist frontman allowed the band to develop an energetic and theatrical live presence. Neeson typically appeared on stage as a wild extrovert, dressed in a Dinner suit and shaking maracas. As a foil, Rick Brewster remained motionless and wore sunglasses for every performance. He has stated that Beethoven convinced him not to move on stage.

1978's Face to Face album reached No. 16 in November and stayed on the Australian charts for 79 weeks. Mark Opitz engineered, and along with The Angels, co-produced the album. Peter Ledger, who designed the cover, won Best Australian Album Cover Design Award. Face to Face contained the band's first hit single, "Take a Long Line", which has become one of the Angels' most-recognised songs. In November, the band supported David Bowie on his first Australian tour, resulting in The Tour EP 7" single.








Tuesday, April 2, 2013

Board Boogie...Surf'n'Twang from Down Under


Okay, surf's up! If you like instrumentals with a driving drum beat and twangy guitar then this collection of early Aussie surf tunes will more than satisfy your cravings. Includes "Smoke and Stack" from The Aztecs (pre-Billy Thorpe), "Murphy the Surfie" by The Joy Boys and "Expressway" by The Vibratones.

These 30 killer tracks will make you want to polish up your board and head on down to catch the next big wave. Great cruising music or for that beach party or barbeque. Enjoy!


1 The Aztecs – Board Boogie 2:25
2 The Joy Boys– Midnight Surfer 1:54
3 The Playboys – The Mean One 1:36
4 The Joy Boys– Sandy The Surfin' Sandfly 1:45
5 The Fabulous Blue Jays– Jay Walker 2:33
6 The Joy Boys– Swamped 2:34
7 The Nocturnes – Storm Warning 2:25
8 The Surf Riders – Panel Five 2:18
9 The Joy Boys– Gavotte Espresso 2:10
10 The Dee Jays– Twistin' Drums 2:17
11 The Joy Boys– Murphy The Surfie 2:04
12 The Sunsets – Windansea 2:34
13 Laurie Wade's Cavaliers– Cloudburst 1:40
14 The Joy Boys– (Theme From) The Ant Hill 2:02
15 The Playboys – Sabre Dance 2:01
16 The Aztecs – Smoke & Stack 1:54
17 The Resonets– Surf Carnival 1:47
18 The Joy Boys– Boots, Saddle, & Surfboard 2:24
19 The Vibratones – Expressway 1:57
20 The Nocturnes – Riptide 1:52
21 The Dee Jays– Barbecue 1:57
22 Laurie Wade's Cavaliers– The Phantom Guitarist 2:04
23 The Playboys – Theme From Dr. No 2:09
24 The Joy Boys– The Frolic 2:12
25 The Nocturnes – Prarie 2:04
26 The Playboys – Desperado 2:19
27 The Resonets– Shorebreak 2:38
28 The Joy Boys– Standin' & Stompin' 2:16
29 The Dee Jays– Sunday Patrol 2:12
30 The Playboys – Adventures In Paradise 2:31






Tuesday, March 12, 2013

The Joy Boys...Shazam!...classic instrumental group from the 60's


The Joy Boys were the Australian equivalent of The Shadows and The Ventures. Twangy, Rockin', Surfin', Stompin' instrumentals that kept the scene buzzin' in the 60s. Originally a jazz band , they became 'Col Joye and the Joy Boys' when Kevin's bother, Col joined in 1957. They had ten Top 10 hits in the Sydney charts alone from 1959 to 1962, including four #1s. Cole became a star on television pop show Bandstand. They disbanded in 1966.

Members were Kevin Jacobsen, Keith Jacobsen, John Bogie, Ron Patton and Norm Day.

This rare compilation collects 30 of their finest which includes their biggest "Southern 'Rora". They were also backing band for legendary singer Col Joye.