Wendy Saddington and Copperwine Live 1971..rare release from sensual blues and soul vocalist

Wendy June Saddington also known as Gandharvika Dasi (26 September 1949 – 21 June 2013) was an Australian blues, soul and jazz singer, and was in the bands Chain, Copperwine and the Wendy Saddington Band. She wrote for teen pop newspaper Go-Set from September 1969 to September 1970 as an agony aunt in her weekly "Takes Care of Business" column, and as a feature writer. Saddington had Top 30 chart success with her 1972 solo single "Looking Through a Window", which was written and produced by Billy Thorpe and Warren Morgan of the Aztecs. After adopting Krishna Consciousness in the 1970s she took the name, Gandharvika Dasi. In March 2013 she was diagnosed with oesophageal cancer and died on 21 June 2013, aged 63. An underrated talent and very sad loss.

Wendy Saddington's musical influences included the likes of Bessie Smith, Etta James, Mahalia Jackson, Odetta, Aretha Franklin, Nina Simone, Janis Joplin, and the raw blues from the Mississippi delta, along with the swanky soul coming from the American Stax, Atlantic and Motown labels. There was also something of the vulnerability of Edith Piaf in Wendy's pleading, bleeding vocal entreaties.

Saddington first came to notice in Melbourne psych-soul outfit The Revolution, before swiftly joining Adelaide's psychedelic/classically flavoured James Taylor Move around late 1967. When Wendy joined the emerging blues-rock ensemble Beaten Tracks, which she named (The) Chain, after the song by one of her heroines, Aretha Franklin's soul classic, "Chain Of Fools". Wendy spent around 18 months touring with Chain, and it was during this time that her passionate, earth-mother Joplin/Franklin vocal style came to prominent notice among promoters and punters alike. Also, her 'outlandish' appearance attracted magazines like Go-Set: a sad waif-like face, heavily mascara-ed around the eyes, framed by the hugest of afro 'do' this side of Jimi's Experience! Wendy favoured simple Levi's, with a basic shirt or cheesecloth kaftan top, copiously accessorised with love-beads and bangles.

Saddington's next musical outing was with Jeff St John's highly acclaimed and well-established group, Copperwine, and it's here that we finally have an officially-released recording of her sublime vocal performances! Wendy joined the band in March 1970, just after the release of Copperwine's superb Joint Effort album, and she sang live as co-lead with St John for a concentrated touring regime through to February 1971. In January of that year, with St John temporarily away from the band, Saddington fronted Copperwine for their acclaimed performance at the Wallacia Festival on the central-coast of New South Wales.

A live recording of the event was released on Festival's new progressive subsidiary Infinity during '71, which showcased Copperwine's sympathetic backing sensibilities for Wendy's distinctive vocals. On such cuts as the funky opener, Nina Simone's "Backlash Blues", and her heartfelt reading of Dylan's "Just Like Tom Thumb's Blues", Saddington continually astonishes with her sensual soul power. Another notable inclusion is Wendy's introspective and idiosyncratic reading of John Lennon's "Tomorrow Never Knows" (which Wendy introduces as a George Harrison composition!) Other highlights include "Five People Said I Was Crazy " (which, with its wild Ross East guitar solo, Barry Kelly's electric piano flourishes and Wendy's monumental banshee wail, certainly lives up to its title). The closing tour-de-force "Blues In A" completely satisfies the listener as a consummate combination of the music of one of Australia's premier all-purpose prog-blues bands of the time, with definitely one of our most unique and mesmerising blues-soul vocalists.

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Jeff St John's Copperwine...Joint Effort

Those who might have forgotten the supreme vocal prowess of Jeffrey St John were convincingly reminded of it when, on 18 October 2000, the wheelchair-bound survivor of the '60s and '70s OzRock took the main podium at the opening ceremony of the Sydney Paralympic Games, dressed in a satin shirt depicting the Australian flag. He belted out the National Anthem in his inimitable style, and there were few dry eyes left in the house, not just because of the spectacle itself, but because fans were witnessing the return of one of Australia's finest-ever soul/rock singers.

Jeff St John was named Jeffrey Leo Newton when he was born in 1946, and grew up in Sydney. Jeff was diagnosed at birth with spina bifida, a congenital disability that causes malformation of the spine and resultant posture and walking difficulties. For much of his youth, Jeff walked with a caliper on his right leg, and underwent numerous painful operations. But the kind of tenacity to overcome this affliction that Jeff has maintained throughout his life, first became evident in his formative years. As he told Who Weekly magazine in October 2000:  "I was told If you want something badly enough and put the work in, there's always a solution to achieving your goal". That goal turned out to be music. Jeff's early ambitions were fully encouraged by his parents, whose house was constantly filled with all kinds of music. "They had glorious voices. On house-cleaning days we'd be wandering around singing excerpts from musicals!"

In 1965 Jeff joined forces with an established Sydney blues-rock outfit called The Syndicate who he met by chance at the Sydney Musicians Club in early 1965. With members including guitarist Peter Anson (from legendary Sydney garage-R&B monsters The Missing Links) The Syndicate with Jeff on board soon evolved, via The Wild Oats, into The Id (named after the popular Johnny Hart cartoon strip The Wizard of Id), with Jeff also adopting the stage name he has used ever since.

Copperwine (aka Jeff St John's Copperwine), was formed in early 1969. Aided by Ross East and Peter Figures, plus Alan Ingram on bass and keyboardist Barry Kelly (from Marty Rhone's Soul Agents), St John wowed punters at the Ourimbah "Pilgrimage For Pop", Australia's first major outdoor rock festival, held at Ourimbah, NSW at the end of January 1970. The band's dynamic repertoire mixed quality prog-flavoured group originals with powerful renditions of Sly & the Family Stone's funk classic "Sing A Simple Song" (a stage fave for many Australian acts of the time including Southern Comfort and The Affair), a storming version of The Temptations' psych-soul masterpiece "Cloud Nine" and Blind Faith's "Can't Find My Way Home."

This body of songs was captured by producer Pat Aulton and remains one of the most accomplished and musically adventurous long players of the time. The punningly-titled "Joint Effort", released in 1970, won considerable critical acclaim, but failed to generate significant sales.

In retrospect, Joint Effort reveals at least three truths -- the album was one of Festival Record's most consistent sellers for many years, it's a fine artifact of what was musically going on with OzRock in this heady and fertile time, and it documents what a fine band Copperwine was and provided conclusive proof that Jeff is one of the best rock vocalists this country has ever produced.

Jeff St John & Copperwine (1969-72) 
Jeff St John (lead vocals)
Harry Brus (bass 70-72)
Ross East (guitar, vocals)
Peter Figures (drums)
Alan Ingram (bass, vocals 69-70)
Barry Kelly (keyboards, vocals)
Glyn Mason (vocals, guitar) 1972
Wendy Saddington (co-lead vocals 70-71)
Phil Wooding (guitar 69)

1 Cloud Nine
2 Sing A Simple Song
3 Fanciful Flights
4 Any Orange Night
5 You Don't Have To Listen
6 I Been Treated Wrong
7 Days To Come
8 Reach Out
9 Can't Find My Way Home
10 Train
11 I Remember
12 Environment In 3 Parts
13 Teach Me How To Fly
14 Freedom Blues
15 Hummingbird
16 Keep On Growing