Healing Force...short lived but legendary Aussie progressive rock supergroup

The legendary Healing Force were something of a 'supergroup', and its history intersects with several other important bands of the period, notably King Harvest and Friends. They made only one single, but it is still widely regarded as one of the flagship Australian progressive rock releases of the early '70s. All the members had a wealth of experience -- Pryor had been the drummer in the The Twilights; Charlie was from Nova Express; Logan was from The Rebels and Wells had been a member of Perth's prog-rock pioneers Bakery.

Original line-up: 
Laurie Pryor (drums) 
Charlie Tumahai (vocals, bass) 
Mal Logan (organ) 
Lindsay Wells (guitar) 

Other members: 
Lindsay Wells (bass, guitar) 
Ray Findlay (bass) 
John Pugh (guitar) 
Joe Tattersal (drums) 
Mal Capewell (sax, flute) 
Gus Fenwick (bass)

In July 1971, they released their one brilliant single. The 'A' side, "Golden Miles", by Lindsay Wells, is one of the most admired Australian progressive rock recordings of the period and it rates as the best Australian progressive recording of the era. It was deservedly successful and spent nineteen weeks in the Melbourne charts, barely missing out on entering the Top 30. It features rippling Hammond organ by Logan with a beautiful melody line and a dramatic chorus, highlighted by the soaring vocals of the late, great Charlie Tumahai. The flip-side, "The Gully", another Lindsay Wells composition, was heavier but almost as good. Just before the single hit the charts, Charlie quit to join Chain and the group returned to a four piece. Pryor left soon after and was replaced by Joe Tattersall (ex-Barrelhouse), but then Lindsay also left and the band fizzled out.

In November 1972, Healing Force reformed with Logan, Pryor and Pugh, plus newcomers Gus Feniwck (bass) and Mal Capewell (ex-Company Caine) on reeds. This version performed at the Sunbury Pop Festival in January 1973, with Charlie rejoining especially for the show. One track from their set, "Erection", was included on the Mushroom Records Sunbury '73 album. They disbanded shortly afterwards, during preparations for a planned LP, leaving their considerable promise sadly unfulfilled.

This is a four track (unofficial) EP, compiled from their one single and 2 extra live tracks:

1. Golden Miles
2. The Gully
3. My Boogie
4. Poem of Joy (from the GTK tapes)

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see also Golden Miles progressive rock compilation on this blog

Daddy Who Daddy Cool...all time classic best selling Aussie album

Daddy Cool is an Australian rock band formed in Melbourne in 1970 with the original line-up of Wayne Duncan (bass, Vocals), Ross Hannaford (lead guitar, bass, vocals), Ross Wilson (lead vocals, rhythm guitar, harmonica) and Gary Young (drums, vocals) . Their debut single "Eagle Rock" was released in May 1971 and stayed at number 1 on the Australian singles chart for ten weeks. Their debut July 1971 LP Daddy Who? Daddy Cool also reached number 1 and became the first Australian album to sell more than 100,000 copies. Their name comes from the 1957 song "Daddy Cool" by US rock group The Rays, Daddy Cool included their version on Daddy Who? Daddy Cool.

The album was originally issued in a textured cover and featured a cartoon rendering of band members by Melbourne artist Ian McCausland which became the group's logo. While Daddy Cool's guitarist, Ross Hannaford, was responsible for overall album cover design, McCausland created the band's graphics and much of their visual image. Most of the original songs were written by guitarist, vocalist Ross Wilson except "Bom Bom", which was co-written with Hannaford. The rest of the album contained 1950s R&B covers - The Rivals' "Guided Missiles", Etta James' "Good Rockin' Daddy", Marvin & Johnny's "Cherry Pie", The Rays' "Daddy Cool" and Chuck Berry's "School Days".

Daddy Cool's music featured 1950s Doo-wop style rock cover versions and originals which were mostly written by Wilson. On stage they provided a danceable sound which was accessible and fun. Their second album was Sex, Dope, Rock'n'Roll: Teenage Heaven from January 1972 and reached the Top Ten. Breaking up in August 1972, Daddy Cool briefly reformed during 1974–1975 before disbanding again, they reformed with the band's original line-up in 2005. Their iconic status was confirmed when they were inducted into the Australian Recording Industry Association (ARIA) Hall of Fame on 16 August 2006.

Daddy Who?... Daddy Cool was also released in the US on the Warner/Reprise label and the band toured in support of its release. Two singles were lifted from the album: "Eagle Rock" #1 on the Australian national singles chart and "Come Back Again" which reached #3.

The album was re-issued in 1975 (with different sleeve under the title Daddy Who? Daddy Gold!) on Wizard Records (also owned by Porter) and in 1982, with the original artwork but non-gatefold sleeve.

The Australian release on Sparmac Records contains different tracks than the US Release on Reprise Records five months later. The Australian release includes the tracks "Good Rockin' Daddy" and "Cherry Pie" not found on the Reprise Records edition. The US release includes the tracks "Flip", "Lollipop" and "Just As Long As We're Together" not found on the Sparmac Records edition.

In October 2010, it was listed at No. 14 in the book, 100 Best Australian Albums

1. "Daddy Cool" (Frank Slay/Bob Crewe) - 2:31
2. "School Days" (Chuck Berry) - 3:03
3. "Come Back Again" - 4:51
4. "At The Rockhouse" - 3:42
5. "Guided Missile" (Alfred Gaitwood) - 3:02
6. "Good Rockin' Daddy" (Richard Berry/Joseph Bihari as "Joe Josea") - 2:21
7. "Eagle Rock" - 4:07
8. "Zoop Bop Gold Cadillac" - 3:56
9. "Blind Date" - 4:12
10. "Bom Bom" (Ross Wilson/Ross Hannaford) - 2:34
11. "Cherry Pie" (Joseph Bihari as "Joe Josea"/Marvin Phillips) - 3:40
12. "Flip" (Carl Green) - 2:26 (bonus track from US release)
13. "Lollipop" (Beverly Ross/Julius Dixon) - 1:36 (bonus track from US release)
14. "Just As Long As We're Together" - 2:32 (bonus track from US release)

click here for more information