Billy Thorpe - A Collection

 

William Richard Thorpe AM (29 March 1946 – 28 February 2007) was an English-born Australian singer-songwriter, and record producer. As lead singer of his band Billy Thorpe & the Aztecs, he had success in the 1960s with "Blue Day", "Poison Ivy", "Over the Rainbow", "Sick and Tired", "Baby, Hold Me Close" and "Mashed Potato"; and in the 1970s with "Most People I Know Think That I'm Crazy". Featuring in concerts at Sunbury Pop Festivals and Myer Music Bowl in the early 1970s, the Aztecs also developed the pub rock scene and were one of the loudest groups in Australia.

Thorpe also performed as a solo artist. He relocated to America from 1976 to 1996; after moving, he released the space opera Children of the Sun, which peaked in the top 40 of the Billboard Pop Album chart in 1979. He worked with ex-Aztec Tony Barber to form a soft toy company in 1987 and co-wrote stories for The Puggle Tales and Tales from the Lost Forests. Thorpe also worked as a producer and composed music scores for TV series including War of the Worlds, Star Trek: The Next Generation, Columbo, Eight Is Enough and Hard Time on Planet Earth.

Thorpe returned to Australia in 1996 and continued as a performer and producer, additionally he wrote two autobiographies, Sex and Thugs and Rock 'n' Roll (1996) and Most People I Know (Think That I'm Crazy) (1998). According to Australian rock music historian Ian McFarlane, "Thorpie evolved from child star, beat pop sensation and cuddly pop crooner to finally emerge as the country's wildest and heaviest blues rocker. Thorpie was the unassailable monarch of Australian rock music". Thorpe was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 1991. He died of a heart attack in February 2007 and was posthumously appointed a Member of the Order of Australia in June for his contribution to music as a musician, songwriter and producer.

This collection features Billy's releases post his 1960's career.

The Hoax Is Over (1971)

Live At Sunbury (1972)

Downunda with Warren Morgan (1973)

More Arse Than Class (1974, remastered 2006)

Million Dollar Bill (1975)

Pick Me Up and Play Me Loud (1976)

Children of the Sun (1979)

21st Century Man (1980)

Stimulation (1981)

East of Eden's Gate (1982)

Shakin' the Cage (with Mick Fleetwood's ZOO) (1992)

Lock Up Your Mothers (1994)

Live ! At Sunbury (remastered 2005)

Solo: The Last Recordings (2007)

Tangier (2010)

Australian Rock 71-72 Vol.1 Collectors Album - Havoc label vinyl release

This is a vinyl rip from an album released on the Havoc label in the early 1970's. It features several Havoc label artists of the time such as Billy Thorpe and the Aztecs, Carson and The Wild Cherries featuring Lobby Loyde.

These are the original album liner notes:

Australian Rock has fought long and hard for recognition.  The medium that has been directly responsible for Rock culture is radio. Most Australian radio is modeled on American and than anything else has shaped the audience and the criticism of Australian Rock.

To compete in the play list war, an Australian musical group has to deliver an American or English sounding rock number. This retarding condition is now beginning to change. Australian Rock has a high energy potential - the same high energy potential that was found in early Little Richard, Presley, Berry and Domino rock. The same high energy potential as early English rock by the Animals, Stones, Kinks and some Beatle Rockers. Other high energy potential groups were Cream, Hendrix, Yardbirds and The Who.

American and English Rock differ in their high energy potential distribution and Australian Rock differs from both of these by its high energy rhythm sections with high density colour trips. Australian Rock is at last becoming noticed by the Australian media and the Australian audience. Given time, Australian Rock will be heard and appreciated everywhere . So - "Watch out World".
Lobby Loyde - September 72.

Australian Rock

Track Listing:
01 - Dawn Song (Aztecs)
02 - Traveling South (Carson)
03 - Pattern Of My Life (Michael Turner In Session)
04 - Time To Live (Aztecs)
05 - Moonshine (Carson)
06 - Slowest Guitar On Earth (Lobby Loyde)
07 - Most People I Know (Aztecs)
08 - Liberate Rock (Lobby Loyde and the Coloured Balls)
09 - Cold Feet (Chook)
10 - Don't Worry (Carson)
11 - I Am The Sea (Wild Cherries)
12 - Just Around Midnight (Michael Turner In Session)
[Bonus Missing Tracks]
13 - Daily Planet (Wild Cherries)
14 - Regulation Puff (Aztecs)

https://youtu.be/5BFNk7QUZ9w

The Glory Days of Aussie Pub Rock Vol.2....various artists compilation

Volume 2 of The Glory Days of Aussie Pub Rock gathers once again gathers the cream of Aussie Rock from the 70's, 80's and 90's. 

It features different tracks from the much the same list of big names as last time and much much more. That list of big names is massive. Cold Chisel, The Angels, Men at Work, Australian Crawl, the Sports, Jo Jo Zep & The Falcons, Mental As Anything, Split Enz, Sunnyboys, Screaming Jets, Rose Tattoo, the Radiators, Paul Kelly & The Coloured Girls, the Dingoes, Ian Moss, Goanna, Dragon, Flowers, Noiseworks, Hunters & Collectors, Skyhooks (their lone post-Shirl hit 'Over the Border'), Baby Animals, Billy Thorpe & the Aztecs, TMG, Dragon, Dave Warner's From the Suburbs, Choirboys, Richard Clapton, the Saints, the Reels, Mi-Sex, Mondo Rock, the Models, The Badloves (with Jimmy Barnes), Matt Finish, V Spy V Spy, Uncanny X-Men, Warumpi Band, Weddings Parties Anything, Russell Morris, Black Sorrows; all these and more are represented by tracks that not only shook pub walls back in the day but pumped out of transistor radios and, in most cases, Sunday night ABC TV screens too. 

Also featured are plenty of big names who weren't included last time, including the Hoodoo Gurus, Jim Keays with his 1975 remake of 'Undecided', Ol'55, Kings of the Sun, Daddy Cool (with the rare 1975 comeback single 'All I Wanna Do Is Rock'), Little River Band, Mother Goose, Kevin Borich Express, Rose Tattoo slide guitarist Peter Wells' brilliant 'Between the Saddle and the Ground', Little Heroes with 'One Perfect Day', indigenous reggae-rock trailblazers No Fixed Address with 'Black Man's Rights', Vika & Linda rocking up a storm on a song that Paul Kelly wrote but never recorded with the Dots 'I Didn't Know Love Could Be Mine', Sydney '80s faves Flaming Hands, the Riptides and Dynamic Hepnotics, Melbourne mainstays Nick Barker & The Reptiles, Mike Rudd & the Heaters and the Spaniards (featuring Billy Miller & Mick Pealing), and glam-era pub favourites Hush, Taste and Supernaut. 

Other noteworthy tracks include rare singles by Stars (1976's 'With A Winning Hand', which never appeared on an album) and post-Ol'55 power poppers the Breakers who featured in the original 'Puberty Blues' movie, and the first ever reissue of anything by Gary Young & the Rocking Emus (the great single 'Rockabilly Heaven', featuring the great Daddy Cool/Jo Jo Zep drummer together with late fellow DC members Wayne Duncan and Ross Hannaford). There's also the rare but great 1971 single 'If You Got It' by legendary Adelaide group Fraternity, featuring Bon Scott on vocals. 

The collection ends with the Party Boys and John Swan - John had replaced Bon in Fraternity - who together give us an idea of what AC/DC might've sounded like if Swanee had also replaced Bon (or Brian) in AC/DC, with a ripping 'High Voltage.'

A sheer smörgåsbord for lovers of classic Aussie Rock!

see also blog post for Vol.1: https://theaussiemusicblog.blogspot.com/2019/01/the-glory-days-of-aussie-pub-rockvol1.html

available on Amazon HERE:

one times  x two times x three times x four

Billy Thorpe and The Aztecs....the "heavy" version...Lock Up Your Mothers

Billy Thorpe himself openly acknowledged that the 'heavy' version of the Aztecs owed much to 'guitar hero' Lobby Loyde. Lloyde already had a cult following due to his stints in two of the most original Australian bands of the 1960's, The Purple Hearts and The Wild Cherries. While his stint in the new Aztecs was short (from December 1968 to January 1971), his musical influence proved crucial in steering Thorpe in a completely new direction, and he strongly encouraged Thorpe to keep playing guitar.

The new Aztecs' blues-based heavy-rock repertoire was dramatically different in style from the original group, and they quickly became famous (or notorious) for the ear-splitting volume at which they played. Thorpe had also drastically changed his appearance—he grew a beard, often wore his now shoulder-length hair braided in a pigtail, and he had long since traded the tailored suits for jeans and T-shirts. Needless to say this did not endear him to people who came to the shows expecting the 'old' Billy Thorpe of the "Poison Ivy" era, and this led to sometimes violent confrontations with disgruntled fans and promoters.

Their breakthrough recording was an ambitious album, The Hoax Is Over, recorded in September 1970 with new drummer Kevin Murphy. The album was an unequivocal signal of the Aztecs' new direction, containing only four tracks, three of which were Thorpe originals. The LP is dominated by two extended tracks: a version of Johnny "Guitar" Watson's "Gangster of Love", which clocked in at 24:35 and ran the entire length of Side 1 (an unprecedented move in Australian pop music) and Thorpe's own "Mississippi" which ran 19'35". According to Thorpe, the band (which at this time comprising himself, Murphy, pianist Warren Morgan, guitar legend Lobby Loyde and bassist Paul Wheeler), were all high on LSD and jammed continuously while engineer Ernie Rose just let the tapes roll. The result heralded the fully-fledged arrival of the new Aztecs and live shows at Melbourne venues consolidated the band's reputation and drew enthusiastic responses.

Lock Up Your Mothers

Yes Yes Whatever reveal new single 'Mushrooms'...breakneck speed rocker!

Melbourne garage rockers Yes Yes Whatever are set to release new single ‘Mushrooms’, the unruly new follow-up to debut single ‘Lacklustre’.

‘Mushrooms’ is a boisterous race from start to finish, a bruising punk-infused riff and contagious chorus set off by punchy, undeniably danceable percussion. The band’s knack for the anecdotal is in full force, shining through in their trademark tongue-in-cheek, self-aware lyrics.

Front man Oscar Galt describes the essence of the track:

"Mushrooms is a cautionary tale exploring the ramifications of experimentation with psychedelics when young and impressionable. It's essentially about losing your mind while your more relaxed friends remain unaffected, and how that changes you."

"A rocker that just chugs along at breakneck speed and by the time you recover the only thing left to do is hit that replay button" We All Want Someone to Shout For (USA)






The band spent late 2017 carving out their niche in the Melbourne music scene, winning attention for their irreverent perspective and brazen sound. Off the back of single ‘Lacklustre’, they cut their live teeth supporting the likes of RAT!Hammock, Househats and BATZ, making appearances at venues such as The Old Bar, Melbourne and The Workers Club, Geelong.

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Malcolm Young...1953-2017 RIP...AC/DC guitarist/songwriter..the quiet force behind the riffs

Malcolm Mitchell Young (6 January 1953 – 18 November 2017) was a Scottish-Australian musician and songwriter, best known as a co-founder, rhythm guitarist, backing vocalist and songwriter for the hard rock band AC/DC. Except for a brief absence in 1988, he was with the band from its November 1973 beginning until retiring in 2014 for health reasons. Young and the other members of AC/DC were inducted into the Rock and Roll Hall of Fame in 2003.

Influenced by 1950's rock and roll and blues-based rock guitarists of the 1960's and 1970's, Young was regarded as a leading rock exponent of rhythm guitar. He is the subject of a song (and album) title by Australian punk rock band Frenzal Rhomb: "Forever Malcolm Young".

Guitar Player magazine has stated that the secret to Young's guitar technique was playing open chords through a series of Marshalls set to low volume with little or no gain. This is contrary to a common belief of many rock guitarists that rhythm guitar should involve loud and over driven power chords through large amplifiers.


Dave Mustaine of Megadeth stated in a 2004 interview that he considered himself, Young, and James Hetfield of Metallica to be the best rhythm guitarists in the world.

Though his younger brother Angus was the more visible of the brothers, Malcolm was described as the driving force and the leader of the band. In 2014, he stated that despite his retirement from the band, AC/DC was determined to continue making music with his blessing. As the rhythm guitarist, he was responsible for the broad sweep of the band's sound, developing many of their guitar riffs and co-writing the band's material with Angus. He was married to Linda Young and had two children, Cara and Ross.

Young took a leave of absence from AC/DC in April 2014, to receive treatment for dementia. In September 2014, the band's management announced that he would be retiring permanently. He died on 18 November 2017.

Full story HERE

Greatest Hits

Backtracks

THE ART release stunning, cosmic video clip for new single "Thinking About the Universe"

THE ART’s latest abstract has arrived in the form of the official music video for their latest single, Thinking About The Universe, shot by The Media Collective (producer Sze Wun Lau, director Tanzeal Rahim, and DOP Andrew Grant) in Sydney as the band prepared for their East Coast tour of the same name, in support of their latest album, All in the Mind.

Thinking About The Universe, written by Azaria Byrne, is about being in another dimension while surrounded by murmurs of the mundane, with a brattish retaliation to wasted words and dross.  Known for their pandemonium and anthemic songwriting, The Art deliver their honest and expressive lyricism with a sonic diversity that always leaves their live audience wanting more and more – and is anything but mundane. 

ALL IN THE MIND is available now via iTunes (for digital) and the SFR Store (for physical and fan bundles). 
 
GET ALL IN THE MIND BY THE ART:
SFR Store (fan bundles) | http://bit.ly/TA-AITM-SFR
iTunes | http://bit.ly/TA-AITM-iTunes
 
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download FREE information sheet HERE

ARIA-nominated Sydney group Born Lion premiere new single ‘Evil K’

After what was an auspicious introduction, one of Australia’s most exciting punk-rock acts, Born Lion have made their return with new single ‘Evil K’, tour dates and announced the release date for their forthcoming and sophomore studio album titled ‘Celebrate The Lie’ (due late-October).

Produced by Jimmy Balderstone (Luca Brasi, High Tension, Grenadiers) and mixed by Ryan Hazell (The Drones, Green Buzzard), lead single ‘Evil K’ combines hard-hitting, razor-sharp punk’n’roll with unapologetic monstrous pop-hooks, taking cues from the likes of staple influences The Bronx, Converge and Queens of the Stone Age.   

Front man John Bowker describes the creative process behind ‘Evil K’:

“Evil K was the first song we wrote with our new drummer, Andres. It was such an exciting time and this song felt like the start of something really special. I penned the lyrics after watching a late night doco on these ageing stuntmen whose childhood hero was 'Evil Knievel'”.

Since being crowned winners of triple j Unearthed’s 2013 Soundwave Festival competition, Born Lion have continually put out critically adored music, with three of their singles ‘D for Danger’, ‘Good Times Jimmy’ and ‘Good Dogs Play Dead’ all being added to rotation on triple j. Their 2015 debut album ‘Final Words’ was nominated for an ARIA for Best Hard Rock/Heavy Metal album. 

In the live arena, the band have traversed the countryside multiple times on their own headline tours and supporting the likes of The Hives, The Bronx, Royal Blood, Marmozets and Karnivool. To celebrate the release of ‘Evil K’ the quartet will head out on an East Coast run performing in Brisbane, Sydney and Melbourne.

In the coming weeks, Born Lion, will reveal an accompanying music video for ‘Evil K’.

‘Evil K’ will be available worldwide via Spotify, Apple Music, iTunes and all other good digital retailers on Friday August 18 through Four/Four.

BORN LION
EVIL K TOUR

FRI 15 SEP | WAYWARDS, SYDNEY NSW
w/ Special Guests Rad Island + Particles

SAT 23 SEP | THE REVERENCE, MELBOURNE VIC
w/ Special Guests Rad Island + Ships Piano

SAT 30 SEP | THE FLAMIN GALAH, BRISBANE QLD
w/ Special Guests Radolescents + Beth Lucas & Band

All shows are Free Entry

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Hunters & Collectors first 2 albums H&C (1981) and Fireman's Curse (1983)

Hunters & Collectors formed in 1981. Fronted by founding mainstay, singer-songwriter and guitarist Mark Seymour, they developed a blend of pub rock and art-funk. Other mainstays are John Archer on bass guitar, Doug Falconer on drums and percussion. Soon after forming they were joined by Jack Howard on trumpet and keyboards, Jeremy Smith on French horn, guitars and keyboards, and Michael Waters on trombone and keyboards. Also acknowledged as a founder was engineer and art designer Robert Miles. Joining in 1988, Barry Palmer, on lead guitar, remained until they disbanded in 1998. The group reformed in 2013 with the 1998 line-up.

Originally, Hunters & Collectors were influenced by Krautrock and productions of Conny Plank, featuring strong percussive influences, noisy guitar, and driving bass lines. Their sound was in the vein of the Talking Heads album, Remain in Light (1980). Hunters & Collectors utilised Plank to produce two of their early albums, The Fireman's Curse (1983) and The Jaws of Life (1984), but neither charted into the Top 50 of the Australian Kent Music Report Albums Chart. 

Their first Top 10 album, Human Frailty (1986), also featured their logo, a H & C symbol, where the "&" consists of twin snakes entwined around a hunting knife, a variation of a caduceus. Later Top 10 studio albums were Ghost Nation (1989), Cut (1992), and Demon Flower (1994). Their hit singles were "Talking to a Stranger" (1982), "Throw Your Arms Around Me" (1984), "Say Goodbye" (1986), "When the River Runs Dry" (1989), "True Tears of Joy" (1992), and "Holy Grail" (1993). They became one of the best live acts in Australia and according to musicologist, Ian McFarlane, their "great achievement was to lay bare human emotions in the intensely ritualistic milieu of the pub-rock gig".

                                                        

Divinyls...Desperate..1983 debut album

Divinyls formed in Sydney in 1980. The band primarily consisted of vocalist Chrissy Amphlett and guitarist Mark McEntee. Amphlett garnered widespread attention for performing on stage in a school uniform and fishnet stockings, and often used an illuminated neon tube as a prop for displaying aggression towards both band members and the audience. Originally a five-piece, the band underwent numerous line-up changes, with Amphlett and McEntee remaining as core members, before its dissolution in 1996.

Amphlett was the cousin of 1960's Australian pop icon Patricia "Little Pattie" Amphlett, who had been married to Keith Jacobsen—younger brother of pioneer rocker Col Joye and leading promoter Kevin Jacobsen. In her autobiography Pleasure and Pain (2005), Amphlett described breaking into the music scene from the age of fourteen, being arrested for busking when seventeen and travelling in Spain, and how her performances drew upon childhood pain.

At the start of their popularity, Divinyls were considered to be a hard rock band. At some point many fans referred to Amphlett as the female Angus Young, as both had similar mannerisms on stage and wore black and white school uniforms while performing in the early 1980's. The band's image gradually changed after the release of the What A Life! album when the band began wearing elaborate clothing and producing more songs in the pop music genre. By the time of the release of their Temperamental album, the Divinyls' image had changed to a glamour fashion style where they produced modern pop music.

In May 2001, the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Science Fiction" as one of the Top 30 Australian songs of all time. The band was inducted into the Australian Recording Industry Association (ARIA) Hall of Fame in 2006 and in late 2007 Amphlett and McEntee reconvened to record a new single and begin working on a new album. The band played a short series of live gigs in Australia in late 2007 and early 2008.

Divinyls released five studio albums—four placed in the Top 10 Australian chart, while one (Divinyls) reached No. 15 in the United States (US) and No.33 for 3 weeks in Canada. Their biggest-selling single "I Touch Myself" (1990) achieved a No. 1 ranking in Australia, No. 4 in the US, No. 10 in the United Kingdom (UK), and No. 13 in Canada.

"Desperate", released in 1983, contained the hits "Boys in Town", "Only Lonely", "Science Fiction" and a cover of The Easybeats' "Make U Happy".

Aged 53 years, Amphlett died on 21 April 2013 at her home in New York City, USA, after a protracted battle with breast cancer. Amphlett had been unable to receive radiation or chemotherapy treatment for the cancer because she concurrently suffered from multiple sclerosis.

See also Chrissy Amphlett tribute post on this blog.

                                                              

Like, Wow - Wipeout - Australian Pop of the 80's...various artists

Seeing the blog is heading away from the 70's a bit and more into the 80's era (with a few contemporary artists in between), thought it would be good to sample some great Aussie sounds from this decade. Artists on this 40 track compilation include Hoodoo Gurus,  Dragon, Little River Band, Big Pig, Sunnyboys, Models, Gangajang, Men At Work, Johnny Diesel, Jenny Morris, The Angels, James Reyne, The Models, The Saints, Mi-Sex, The Sports, James Freud, QED, Tim Finn, Mondo Rock, The Church, Jo Jo Zep and The Falcons, Mental As Anything, Kids In the Kitchen, Goanna, Pseudo Echo, Jimmy Barnes, Choirboys, Kids In the Kitchen and a few more.

This will hopefully keep you entertained over the holiday period whether you're having fun in the sun in the Southern hemisphere or chilling out in the more Northern parts of the globe.

Would just like to say thanks to all visitors, readers and contributors of the blog and for all your support and kind words. Enjoy the season and the music!

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Midnight Oil....Midnight Oil (1978) and Head Injuries (1979)

Midnight Oil (also known informally as "The Oils" to fans) originally performed as Farm from 1972 with drummer Rob Hirst, bass guitarist Andrew James and keyboard player/lead guitarist Jim Moginie. While vocalist Peter Garrett was studying at Australian National University in Canberra, he answered an advertisement for a spot in Farm,and by 1975 the band was touring the east coast. By late 1976, Garrett moved to Sydney to complete his law degree,and Farm changed its name to Midnight Oil by drawing the name out of a hat.

Important to their development was manager Gary Morris who was able to negotiate favorable contracts with tour promoters and record companies and frustrate rock journalists. Guitarist Martin Rotsey joined in 1977 and Midnight Oil, with Morris, established their own record label Powderworks, which released their debut eponymous album in November 1978, and their first single "Run by Night" followed in December. Founding bass guitarist James, forced to leave due to illness in 1980, was replaced by Peter Gifford. Gifford was himself replaced by Bones Hillman in 1987.Through a long and distinguished career, the band became known for its driving hard-rock sound, intense live performances and political activism, particularly in aid of anti-nuclear, environmentalist and indigenous causes.

                                                      

Cold Chisel...You're Thirteen EP 1977 and Live in Sydney 1978

click here for more information

Originally named Orange, Cold Chisel formed in Adelaide in 1973 as a heavy-metal cover-band comprising bassist Les Kaczmarek, keyboard player Don Walker, guitarist Ian Moss and drummer Steve Prestwich. Seventeen-year-old singer Jimmy Barnes joined in December 1973, taking leave from the band in 1975 for a brief stint as Bon Scott's replacement in Fraternity.

The group changed its name several times before settling on Cold Chisel in 1974 after writing a song with that title. Barnes' relationship with other band members was volatile; as a Scot he often came to blows with Liverpool-born Prestwich and he left the band several times. During these periods Moss would handle vocals until Barnes returned. Walker soon emerged as Cold Chisel's primary songwriter. Walker spent 1974 in Armidale, completing his studies, and in 1975 Kaczmarek left the band and was replaced by Phil Small. Barnes' older brother John Swan was a member of Cold Chisel around this time, providing backing vocals and percussion but after several violent incidents he was fired.

In May 1976, Cold Chisel relocated to Melbourne but found little success, moving on to Sydney in November. Six months later, in May 1977, Barnes announced he would quit Cold Chisel in order to join Swan in Feather, a hard-rocking blues band that had evolved from an earlier group called Blackfeather. A farewell performance in Sydney went so well that the singer changed his mind. The following month the Warner Music Group picked up Cold Chisel.

Full biography on Wikipedia HERE

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Taste...Tickle Your Fancy and Knights of Love...Glam-Hard Rock from 1976/77

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Taste were a glam/hard rock band that formed around 1975. The line-up consisted of Ken Murdoch ( Lead Vocals / Guitar), Joey Amenta (Guitar / Vocals), Michael Tortoni (Bass Guitar) and Virgil Donati (Drums). The boys paid their dues in pubs and "shitholes" until they got their lucky break and released their first album "Tickle Your Fancy" in 1976. They were an instant hit, especially with the younger music fans, and appeared regularly on Countdown and just about every other TV show of the time.

They supported international artists including Queen, on their second Australian tour, Suzi Quatro and The Sweet. They also performed alongside the who's who of Aussie rock including Sherbet, Kevin Borich, TMG, Skyhooks and Hush.

Their songwriting and musicianship were critically acclaimed, and their original 2 albums, "Tickle Your Fancy" and "Knights of Love" have become hard rock classics. Due to some bad management and not so good marketing, Taste never achieved the recognition they deserved, and split around 1977. They reformed in 2007 and released the album "Rock Dead".

click here for more information

                                        

Visit my other blogs and pages here:

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