classic and rare Australian popular music from the 1950's, 1960's. 1970's and beyond..including rock and roll, pop, beat, rock, surf and progressive, plus contemporary artists, new releases, reviews and other fun stuff

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Monday, June 1, 2015

Buffalo..Dead Forever...debut album from 1972..play this album LOUD!


The origins of BUFFALO began in Brisbane, Queensland in 1966 when mates, Dave Tice (vocals) & Pete Wells (bass) played in a band called THE ODD COLOURS.  When this band dissolved, Dave & Pete had a brief stint in STRANGE BREW (66/67) and then formed THE CAPITOL SHOW BAND later in ’67 which became highly successful in the local market. 

The band's major recording break came in March 1972 with BUFFALO signing to the prestigious UK label, Vertigo.  This was very significant at the time because BUFFALO were the first band to sign with the label outside of the UK.  Their ’stablemates’ included BLACK SABBATH and URIAH HEEP. The band immediately went into the United Sounds studios to record their first album with producer, Spencer Lee. 

Prior to the album being released, their first single “Suzie Sunshine” backed with the non album track, Chuck Berry’s “No Particular Place To Go” was released early in April to wet fans appetites.  The single received little airplay with the radio station programmers virtually ignoring it, much to the annoyance of the record company, the band and their management.  In order to gain more airplay, Phonogram put on a bash for the media at the Paddington Town Hall on 28/5/72 featuring BUFFALO performing live as well as CHAIN, SPECTRUM & COLOURED BALLS.

In May, the album “Dead Forever” was released and received good reviews, although the cover caused quiet a stir, setting the scene for even more controversy on later albums.  BUFFALO liked their music loud and this was imparted to fans on the back cover by stating “play this album LOUD!“  Live, the BUFFALO volume was loud like a huge stampede and they soon had the reputation as being Australia’s loudest band.  



...for the full Buffalo story, visit the BLOW YOUR SPEAKERS! website


                                     


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Monday, May 11, 2015

Thaylia's birthday Single Release 13 May 2015.."Hope" Remix - Let's Pay it Forward!



Establishing herself as a strong solo performer, contemporary folk singer/songwriter Thaylia was recently selected out of hundreds of applicants as the 2015 NSW winner of the Alukura Songwriting Competition – an initiative of CAAMA Music where eight Aboriginal female singer-songwriters from around Australia were selected and flown to record at the CAAMA Music studios between the 12-20 April.

She is now ready to release her next single that she self-produced - a remix of her debut single Hope on her birthday the 13 May 2015 and she only has one wish and that is to give back. Having been born on Mother's Day, she has chosen to release on her birthday as a celebration of the gift of life and as a symbol of how we can use our lives to gift others who are in need. The single is a thumping electronic dance track that combines ambient trace, drum and bass with electrifying synths and her favourite acoustic guitar. 

Thaylia self produced the track and had it mixed and mastered by Stereo Missile Recordings who kindly sponsored the project. Steve Peach who founded the company is a highly esteemed music industry professional in Sydney who given his time and efforts generously to the project. 

The single will be available for free download via www.thaylia.bandcamp.com or supporters can choose to donate and 100% proceeds from the online sale of the single will be donated towards Abmusic & Mmad. Thaylia's humble music journey began at Abmusic - a music school for Aboriginal & Torres Strait Islanders and Mmad (Musicians Making a Difference) is a charity that Thaylia is passionate about. Mmad exist to change the lives of young people through music who are at risk of addiction, homelessness, abuse and disadvantage.

Hope was originally released in Nov 2013 and went to Number 1 on the AMRAP Air It Now Charts for 3 weeks in Jan 2014 making it the most ordered song for community radio across Australia. This new remix  of Hope marks Thaylia's first ever release as producer. Thaylia self produced the track while studying a Bachelor of Music with a  major in Composition & Music Production at the Australian Institute of Music.




She is currently working on her debut EP release which will see her emerge with a new sound in 2016.


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Friday, May 1, 2015

Tully..underground/progressive rock..3 albums...self titled 1970, Loving is Hard 1972 and Live in Sydney



Tully formed in Sydney in late 1968, and along with Tamam Shud they were the doyens of the Sydney underground/progressive scene in the late 60's and early '70s. Their lyrical and expansive music and their interest in mysticism and esoteric philosophy was at some remove from the earthy blues/boogie ethos of contemporaries like The Aztecs, but they built up a strong following on the Sydney underground scene and the Melbourne concert circuit. Tully's members were all highly accomplished multi-instrumentalists, with years of experience behind them, and this musical breadth quickly earned them a reputation as one of the most adventurous and polished concert bands of the period.




They originally signed with EMI and their excellent self-titled debut LP was released on the Columbia label in July 1970; it charted well, spending eight weeks in the Top 40 and peaking at #8. Around this time Michael Carlos became the proud owner of one of the first Moog synthesisers to be brought into Australia, and they became the first local band to use one in live performance. Such was the public profile of Dr Bob's new instrument (thanks to The Beatles, the Beach Boys and Walter Carlos) that Tully's concerts were co-billed as "Tully and The Moog".

In 1971 Tully moved to EMI's new progressive label Harvest, and released their only single, the spiritually inspired Krishna Came / Lord Baba which came out in May. This was followed in June by their second LP Sea Of Joy, the soundtrack to the surf film of the same name by Paul Witzig, who had also previously worked with Tamam Shud. The band had stockpiled enough material prior to the split for EMI to compile a third and final LP which was released in 1972 as the album Loving Is Hard.






non album live TV program Tully and Wendy Saddington on Fusions 1969
(alternate link)

Colin Campbell (guitar) 1971-72 
Michael Carlos (keyboards)
Graham Conlan (bass) 1969
Richard Lockwood (flute/sax/clarinet/piano) 1968-72 
John Blake (bass) 1968-69
Ken Firth (bass) 1970-72
Shayna (Karlin) Stewart (vocals) 1971-72
Robert Taylor (drums) 1968-70




text courtesy of Milesago


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Saturday, April 25, 2015

Axiom...Fool's Gold..debut album from 1970..supergroup that combined folk, country and rock


Formed in Melbourne in 1969 by Brian Cadd and Don Mudie, both former members of leading Melbourne popsters The Groop, Axiom were arguably Australia's first true supergroup. Besides his success with The Groop, Brian Cadd wrote hits for other acts, including "Elevator Driver" for the Master's Apprentices and "When I Was Only Six Years Old" for Ronnie Burns and both he and Mudie worked as session players on a number of important recordings including the Russell Morris' classics "The Real Thing" and "Part III into Paper Walls".

After linking up in The Groop, Mudie and Cadd formed a successful songwriting partnership that carried on through Axiom and beyond. Glenn Shorrock was the former lead singer of The Twilights; Lavery was from Perth's (in)famous The Valentines; Stockley was from leading Melbourne group Cam-Pact.

Axiom signed to Ron Tudor's Fable Records. Their first single "Arkansas Grass" (co-written by Cadd and Mudie) was an immediate hit, reaching #7 in December 1969. Cadd, like many other Aussie musicians, had been deeply influenced by the trend towards a fusion of country and folk elements with rock. Songs like "Arkansas Grass" show how well and how quickly Axiom mastered the idiom.

Their second single "Little Ray of Sunshine" shot to #5 in April 1970 and has since become a standard. Their first two Axiom singles are rightly considered classics, and the latter, a perennial favourite, has become one of Glenn Shorrock's trademark songs. It was followed by Axiom's brilliant debut LP Fools Gold, which was both widely praised and a significant commercial success, reaching #18 on the album chart in June.

Fool's Gold unquestionably ranks as one of the best and most original Aussie albums of the period. It was also a significant step forward in creative control, being one of the very first Australian rock albums released on a major label that was produced by the artists themselves.

Axiom deserve to be recognised as an important musical bridge between Sixties pop and Seventies rock in Australia, as one of the first serious attempts to make Australian rock with international appeal, and as one of the finest bands of their time.

"Arkansas Grass" 
"Baby Bear" 
"Ford's Bridge" 
"Samantha" 
"Take It Or Leave It" 
"A Little Ray Of Sunshine" 
"Yesterday, Today And Tomorrow" 
"Mansfield Hotel" 
"Can't Let Go Of This Feeling" 
"Country Pickin' " 
"Once A Month Country Race Day" 
"Fool's Gold" 
"Who Am I Gonna See?" 
(All songs by Mudie-Cadd) 
Produced by Axiom 
Recorded at Armstrong's Studios, Melbourne

Brian Cadd (keyboards, vocals) 
Doug Lavery (drums) 1969 
Don Lebler (drums) 1969-71 
Don Mudie (bass) 
Glenn Shorrock (vocals) 
Chris Stockley (guitar)

click here for more information




Tuesday, April 21, 2015

Paul O'Gorman..Poet and the Painter..singer songwriter's only album from 1978



Paul O’Gorman was an unknown quantity when he entered the 1976 Australian Popular Song Festival. Former Cherokees guitarist Doug Trevor believed in Paul’s abilities as a performer and the two began writing songs together. When they entered the Festival in '76 they thought they were in with a chance, though they faced stiff competition from some big names, including Steve Groves and Beeb Birtles.

Paul presented Doug's composition of 'You're More To Me' at the 1976 Australian Pop Song Festival. They succeeded in winning second place. In 1977 they re-entered the Festival and this time they won with a song entitled 'Ride, Ride America'. From there they took the number to the International Song Festival in Tokyo and took off two of the major prizes — Best Song and Best Song Performance.

What happened to Paul after making the final that year was a short but great journey into the world of pop stardom. He enjoyed a couple of hit singles, played to international audiences and cut a lone LP, The Poet And The Painter (Infinity Label), before leaving it all behind to work behind the scenes in publishing, management and entertainment law. 







Track Listing
01 - You're More To Me
02 - Love Again
03 - Poet And The Painter
04 - Lisa
05 - Are You Travellin' With Me
06 - Having Love Behind
07 - (You And Me And) Love In The Morning
08 - Doesn't It Show
09 - Ramblin Old House
10 - Ride, Ride America
11 - May It All End With You

Vocals - Paul O'Gorman
Acoustic Guitar - Paul O'Gorman, Jonathan Coben
Electric Guitar - Jonathan Coben, Mario Millo
Bass - Chris Stafford, Roger Corbett
Drums & Percussion - Dave Hicks
Keyboards - Raddy Ferreira, Ian Hunt
Trumpet/Flugel Horns - Boof Thomsen, Ray Bensted
Trombones - Bob McIvor, Derek Long, Ron Spillett, Peter Haslam
Cellos - Hans Gyors, Donna Noble
Mandolin - Mario Millo
Flute - Errol Buddle
Harmonica - Greg Foster
String Leader - John Lyle
Backing Vocals - Alison MacCallum, Janice Slater, Sally Rogan
                 Peter Brandon, Mick Leyton, Joe Andre

Sunday, April 12, 2015

Jumpin' Jimmy Taylor..former Aztecs piano man from 1965-66...request for information


Jumpin' Jimmy Taylor or James the "Boogie Man" Taylor played slammin' piano with Billy Thorpe and The Aztecs from 1965-66 and also for Ray Hoff and The Off Beats. He went on to have a distinguished career as a backup musician and even played with rock and roll greats Bo Diddley and Chuck Berry. Jimmy kept playing well into his 60's but sadly passed away over 2 years ago.




Unfortunately Jimmy's fan club site was taken down and there is little information available about him. A follower of this blog, who was fortunate enough to know Jimmy personally and had also worked up a song with him, has asked if anyone out there may have any information they can share or point out where we can find some. Anything would be appreciated. Just leave a message below this post or send through the CONTACT page on this blog.

Jimmy with Bo Diddley


Jimmy with Chuck Berry




                                          


                                           



Saturday, April 11, 2015

Isaiah B Brunt new album release "Just the Way It Goes" recorded in New Orleans



Isaiah B Brunt has been a top Aussie production guy, and former studio owner of Darling Harbor studios, who's worked along side some of Australia's top groups including solo projects by Rob Hirst, Midnight Oil, Steve Prestwich, Cold Chisel, Julio Iglesias and his Orchestra, American Idols Randy Jackson and Goo Goo Dolls have rehearsed there during Australian tours. Not only has Isaiah been behind the board for globally upper echelon bands he's been a go-to side man for bands touring down under like the time Keanu Reeves band Dog Star hit Sydney and Isaiah recorded them aiding them on their shows around Sydney.

All the while he was working with other peoples music, Isaiah always knew where his heart lay. The same place it first was when he heard his father strum the ukulele, blow harmonica and unleash the lap steel. Isaiah was the 2010 Sydney Blues Society's Performer of the Year and some of you may have caught him at the 2011 IBC, probably the best dressed cat in Memphis and good enough musically to be one of the very few to be reviewed in The Memphis Daily.

See more on his website HERE



Thursday, April 9, 2015

Mighty Kong...successor to Daddy Cool...All I Wanna Do Is Rock..1973


Mighty Kong was the 'supergroup' successor to the legendary Daddy Cool, which broke up in August 1972. It was also the fifth (and technically the last) in the line of groups that featured Ross "The Boss" Wilson and Ross Hannaford, which began with Pink Finks in 1965. Despite its all-star lineup, culled from three of the top groups of the time, the band was short lived and never really achieved its considerable potential, effectively relegated to being a footnote in the larger story of Daddy Cool. The main relic of this period was their excellent (and greatly underrated) LP, All I Wanna Do Is Rock.

Personnel:
Ross Wilson - chief vocals, pignose guitar (09)
Ross Hannaford - guitar, deep throat
Russell Smith - guitar, lead vocals (03)
Tim Partridge - bass guitar
Ray Arnott – drums
+
John Fishbach - producer, engineer

Tracks:
01. All Through The Day (Into The Night We Play) – 6:02
02. Callin’ All Cats (The Cats Are Callin’) – 4:01
03. Some Other New Address – 4:05
04. Hard Drugs (Are Bad For You) – 2:57
05. All I Wanna Do Is Rock!! #1 – 4:15
06. Jungle In My Blood – 5:57
07. Got My Beliefs – 4:34
08. With A Smile Like That (How Could We Refuse) – 7:30
09. Homesick & Horny – 4:18
Bonuses:
10. Callin' All Cats (The Cats Are Callin') [Single Version] – 3:28
11. All I Wanna Do Is Rock [Unreleased Studio Jam] – 8:40










Friday, April 3, 2015

Singer-Songwriter Boroko releases 2 new singles ahead of second album Western Child



Melbourne singer-songwriter, Boroko (aka Tim Fontaine), is set to release his second full-length album, Western Child, this year. He has released 2 singles from the album, "Because Life" and "Lonely Tower". 

2 stunning videos have also been released:


Because Life


                                            

Lonely Tower (filmed in New York City)

Marty's review: Boroko's music is roots rock based with a hard edged sound. He writes and sings about life as he sees it with well constructed lyrics and a musical backing that shines through with unbridled professionalism. Sometimes dark, sometimes poignant, these are songs that are delivered with a passion and come from the soul.

Stream Boroko's music on Soundcloud here

Visit my other music blogs here:
Soundtrack Heaven
The Aussie Music Blog
The Vintage Music Blog
The Jazz Music Blog
This Jukebox Rocks
The Blues and Roots Music Blog
Martin's Music Machine
Twitter @islandmanrocks





Saturday, March 28, 2015

Singer-Songwriter, Thaylia, NSW Winner - Alukura Songwriting Competition


Contemporary Folk, singer-songwriter, Thaylia, has been featured on this blog previously (see original posts here: one and two).

We are very proud to announce that Thaylia has been selected as a NSW winner of the Alukura Songwriting Competition. Here is the official release from CAAMA:

CAAMA Music is excited to announce the winners of the Alukura songwriting competition, (Alukura meaning ‘women’ in the Arrernte language) which will see eight Aboriginal female singer-songwriters from around Australia flown to record at the CAAMA Music studios in Alice Springs between 12-25 April.

“We were really impressed by the amazing musical talent out there, and can’t wait to work with these talented artists to develop their musical careers. The world will be hearing all about these artists really soon”, says Micheal ‘Miko’ Smith, Manager of CAAMA Music.

The winners range in age and experience, with some at the very early stages of their musical careers, such as Alice Anderson, a 19 year old Wergaia woman from Horsham, Victoria who has only basic knowledge of the recording process but says “When it comes to music I am always ready for a challenge and believe there is always something new to learn, and I am absolutely honoured to learn through talented people of my own culture”.



The winners also include Thalia Skopellos (artist name Thaylia), from Sydney, who is currently studying a Bachelor of Music and last year released her own single ‘Hope’, which went to Number 1 on the AMRAP music chart for 3 weeks. “I am truly humbled and excited about this experience. Not only is it an important opportunity musically it will also be beautiful to finally visit Alice Springs for the first time and connect to land and culture. Something I have not done since I was a kid was sleep in a swag under the stars, and I can’t WAIT!”

Kristal West from Brisbane, one half of the musical duo ZK that featured on The Voice in 2014, is looking forward to developing her solo skills, saying “I have a lot space to grow and I truly believe this is the opportunity I have been waiting for”.

The experience will include songwriting workshops and in-depth sessions about the music business and self-promotion, as well as workshops by popular Sydney duo The Stiff Gins, who will be bringing their song writing, performance and industry expertise to the project as mentors. Each participant will also record a song in CAAMA Music’s newly upgraded and state-of-the-art recording studio, to be included on a compilation album released later in the year.

The trip will also include a night spent sleeping under the stars in swags on the West MacDonnell Ranges, as well as cultural and musical exchange with the nearby community of Hermannsburg/Ntaria, 131 southwest of Alice Springs.

The list of winners are:
Donna Velia Woods – Hobart, TAS Kelsey Strasek-Barker – Gold Coast, QLD Alice Anderson – Horsham, VIC
Thalia Skopellos – Sydney, NSW Rebecca Gollan – Northhaven, SA Kristal West – Brisbane, QLD
Mandy Garling – Darwin, NT
Dora Smith – Broome, WA

WHO IS THAYLIA?
BIOGRAPHY:
Click Here

FREE MP3 DOWNLOADS
Click Here

WATCH
OFFICIAL VIDEO'S:
Click Here

Saturday, March 21, 2015

Healing Force...short lived but legendary Aussie progressive rock supergroup



The legendary Healing Force were something of a 'supergroup', and its history intersects with several other important bands of the period, notably King Harvest and Friends. They made only one single, but it is still widely regarded as one of the flagship Australian progressive rock releases of the early '70s. All the members had a wealth of experience -- Pryor had been the drummer in the The Twilights; Charlie was from Nova Express; Logan was from The Rebels and Wells had been a member of Perth's prog-rock pioneers Bakery.

Original line-up: 
Laurie Pryor (drums) 
Charlie Tumahai (vocals, bass) 
Mal Logan (organ) 
Lindsay Wells (guitar) 

Other members: 
Lindsay Wells (bass, guitar) 
Ray Findlay (bass) 
John Pugh (guitar) 
Joe Tattersal (drums) 
Mal Capewell (sax, flute) 
Gus Fenwick (bass)

In July 1971, they released their one brilliant single. The 'A' side, "Golden Miles", by Lindsay Wells, is one of the most admired Australian progressive rock recordings of the period and it rates as the best Australian progressive recording of the era. It was deservedly successful and spent nineteen weeks in the Melbourne charts, barely missing out on entering the Top 30. It features rippling Hammond organ by Logan with a beautiful melody line and a dramatic chorus, highlighted by the soaring vocals of the late, great Charlie Tumahai. The flip-side, "The Gully", another Lindsay Wells composition, was heavier but almost as good. Just before the single hit the charts, Charlie quit to join Chain and the group returned to a four piece. Pryor left soon after and was replaced by Joe Tattersall (ex-Barrelhouse), but then Lindsay also left and the band fizzled out.

In November 1972, Healing Force reformed with Logan, Pryor and Pugh, plus newcomers Gus Feniwck (bass) and Mal Capewell (ex-Company Caine) on reeds. This version performed at the Sunbury Pop Festival in January 1973, with Charlie rejoining especially for the show. One track from their set, "Erection", was included on the Mushroom Records Sunbury '73 album. They disbanded shortly afterwards, during preparations for a planned LP, leaving their considerable promise sadly unfulfilled.

This is a four track (unofficial) EP, compiled from their one single and 2 extra live tracks:

1. Golden Miles
2. The Gully
3. My Boogie
4. Poem of Joy (from the GTK tapes)

click here for more information

see also Golden Miles progressive rock compilation on this blog





Friday, March 13, 2015

Group Therapy..All Aussie 70's Blues and Progressive Rock Compilation on the Infinity Label


This 8 track compilation was released in the 70's on the Infinity label and features some classic blues and progressive rock artists like Chain, Blackfeather, Aztecs, Moonstone and a few other hard to find rarities. Take a trip back.

A1 Heart'N'Soul – Hot Boogie Band 3:10
A2 Tymepiece– Why? 2:20
A3 Blackfeather– On This Day That I Die 4:00
A4 Ray Brown & Moonstone– Start Of A New Day 3:12
B1 Billy Thorpe And The Aztecs– Goodbye Baby 3:34
B2 Kahvas Jute– Free 5:12
B3 Chain – Gertrude St. Blues 5:15
B4 Cleves– Wait For A Moment 3:20







Tuesday, March 3, 2015

Buster Brown...Something to Say...1974...Working Class Heavy Rock



The roots of Rose Tattoo, AC/DC and everything else that's good about working class Australian rock, Buster Brown released only one album, Something to Say, in 1974. Featuring the likes of Angry Anderson and Phil Rudd, the band were very popular on the pub circuit and with the 'sharpie' crowd.

Their sound was hard rock mixed with blues rock influences. They formed in Melbourne in 1973 with Gary 'Angry' Anderson on lead vocals (ex-Peace Power and Purity), John Moon on guitar, Paul Grant on guitar, Phil Rudd on drums, Ian Ryan on bass guitar (ex-Ash, Chook) and Chris Wilson on keyboards.They enjoyed local notoriety and played at the 1974 Sunbury Festival in January. Later that year, Mushroom Records released a Various Artists live album, Highlights of Sunbury '74 Part 1, which included the group's tracks "Roll Over Beethoven" and "Buster Brown". Early in the year, Geordie Leach replaced Ryan on bass guitar. Along with Coloured Balls, Billy Thorpe, Madder Lake and Chain, they were supported by suburban-based sharpie gangs.

Their first album, Something to Say was produced by Lobby Loyde and released in 1974. Rudd left to join an early version of AC/DC while Anderson continued with new line-ups and eventually disbanded the group in November 1975. Anderson joined Rose Tattoo which later included former Buster Brown band mates, Geordie Leach on bass guitar and Dallas 'Digger' Royall on drums.





Wednesday, February 18, 2015

more updates of expired links...revisit or discover these gems for the first time



Once more, I have updated some of the older, expired links. Thanks to a request from a recent visitor, the following links have now been updated. If you come across any links that do not work, please leave a comment or send me a message through the contact page. 

Visit these for the first time or revisit again. Just CLICK on the LINK to go to the original post.



Tony Worsley and The Fabulous Blues Jays  - Ready, Steady, Let's Go




The Missing Links - Driving You Insane




The Loved Ones - Magic Box




The La De Das - How Is the Air Up There?




The Masters Apprentices - Complete Recordings



Max Merritt and The Meteors - 23 Trax of Max


Monday, January 26, 2015

Stevie Wright..Hard Road...1974...blockbuster solo debut from legendary Easybeats singer



Stevie Wright's first taste of fame was with the now legendary 60's group, The Easybeats. Together with Harry Vanda and George Young, they created some of the most memorable and iconic music to come out of Australia in the 1960's. They rivaled The Beatles in their talent and success and scored an international hit with "Friday On My Mind".

After the breakup of The Easybeats, Stevie went solo and released his debut solo album, Hard Road, in 1974. Produced by none other than his former Easybeats partners, Harry Vanda and George Young, the album was a huge success in Australia, topping the charts everywhere.

Hard Road is without question Stevie's finest hour, and it remains one of the best Australian albums of the period. The classic Vanda-Young tracks -- the autobiographical "Hard Road", "Didn't I Take You Higher?" and the epic "Evie" were ably complemented by Stevie's own strong compositions "Movin' On Up", "Commando Line", "Life Gets Better" and "Dancing in the Limelight".

Stevie's groundbreaking debut solo single "Evie (Parts I, II and III)" is a genuine rock epic. It is arguably the perfect rock'n'roll song, encapsulating the three basic themes of all love songs -- (A) "Baby it'll be great once we're together, (B) "Baby, it's so great now that we're together" and (C) "Baby, it's so bad since you left me". Clocking in at a whopping eleven minutes in total, it seemed an unlikely chart contender, but the three parts were wisely split across the two sides of the single, and the head-on power rock of "Evie Part I" proved irresistible. Lyrically, it revisited the perennial "gonna have a good time tonight" theme of "Friday On My Mind" and "Good Times" and musically it is perhaps the ultimate distillation of the full-frontal hard rock Vanda & Young had previously essayed on V&Y classics like "Good Times", and showcased the no-frills hard-rocking sound which they would soon hone to perfection with AC/DC.

Released in May 1974, Evie shot to the top of charts, peaking at #2 nationally during July. It did especially well in Melbourne, where it stayed at #1 for seven weeks. The Hard Road album also peaked at #5 nationally and #1 in Melbourne. It was released on Atlantic in the USA and Polydor in the UK and made a strong impression overseas -- Suzi Quatro later covered "Evie", and Rod Stewart included a version of "Hard Road" on his Smiler album. "Evie" is now widely considered to be one of best Australian singles of Seventies.

To promote the records, Stevie hit the road with his aptly-named backing group, The All Stars. The band's lineup shifted several times during its existence but it featured many top-flight players including Warren "Pig" Morgan (piano; ex-Chain, Aztecs), Tim Gaze (lead guitar; ex-Tamam Shud, Kahvas Jute, Ariel) and Johnny Dick (drums; ex-Meteors, Doug Parkinson In Focus, Aztecs).