On paper, Fanny Adams looked like a dream team, with four of Australasia's best musicians combining in a 'supergroup' and intent on conquering the world. Given the talent involved, this should have been a great group who did grand things, but, as so often happened in OzRock, the reality proved to be drastically different.
Vince Maloney, Johnny Dick, Teddy Toi and Doug Parkinson were veterans of some of Australia and New Zealand's top bands of the 1960s:
Vince Maloney had been in the original 1963-65 lineup of The Aztecs, but quit in '65 (along with the rest of the band) after a financial dispute. He and fellow Aztec Tony Barber then formed a shortlived duo, followed by a stint with Tony Worsley & The Fabulous Blue Jays. Vince then formed his own band The Vince Maloney Sect, which became the house band on the mid-'60s pop show Kommotion. Moving to England, he spent several years as lead guitarist in the late-60s UK lineup of The Bee Gees with drummer Colin Petersen
Johnny Dick had joined Max Merritt & The Meteors in 1963 in New Zealand and came to Australia with them in '65, alongside Teddy Toi. After the original Aztecs split from Thorpe, he and Teddy jumped ship and joined the "new" Aztecs, which lasted until 1966. He later teamed up with 'Parko' in the highly-regarded Doug Parkinson In Focus
Teddy Toi was a highly respected bassist, already a rock'n'roll veteran whose CV went back to New Zealand in the late '50s with Sonny Day & the Sundowners and included a stint in the second lineup of The Aztecs in 1965-66.
Doug Parkinson was (and still is) one of Australia's finest male singers. He started his career in a high-school band The A Sound, followed Newcastle pop outfit The Questions, which evolved into Doug Parkinson In Focus with Johnny, Duncan McGuire and Billy Green, scoring a Top 20 hit in '68 with their superb rendition of The Beatles' "Dear Prudence" and winning the Hoadley's Battle Of The Sounds in '69.
Fanny Adams were, unfortunately, short lived. Due to various issues within the band and resistance from a sceptical public, they went their separate ways, but left us with this, now rare, album which showed the enormous talent that was within.
text courtesy of Milesago
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